---
product_id: 12485278
title: "Don’t Look Now (The Criterion Collection) [Blu-ray]"
brand: "julie christiedonald sutherlandnicolas roeg"
price: "€ 200.53"
currency: EUR
in_stock: true
reviews_count: 7
url: https://www.desertcart.hr/products/12485278-don-t-look-now-the-criterion-collection-blu-ray
store_origin: HR
region: Croatia
---

# Don’t Look Now (The Criterion Collection) [Blu-ray]

**Brand:** julie christiedonald sutherlandnicolas roeg
**Price:** € 200.53
**Availability:** ✅ In Stock

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- **What is this?** Don’t Look Now (The Criterion Collection) [Blu-ray] by julie christiedonald sutherlandnicolas roeg
- **How much does it cost?** € 200.53 with free shipping
- **Is it available?** Yes, in stock and ready to ship
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## Description

Don’t Look Now (The Criterion Collection) [Blu-ray]

## Images

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## Customer Reviews

### ⭐⭐⭐⭐⭐ 







  
  
    Death in Venice
  

*by C***K on Reviewed in the United States on October 8, 2017*

All hail Criterion for drawing attention to this lesser-known thriller and giving its restoration the first-class treatment it deserves."Don't Look Now" is based on an equally chilling short story by Daphne du Maurier, who gave us the novel "Rebecca" and another short story you may know from a movie made by someone named Hitchcock: "The Birds." Du Maurier was not a bit pleased by what Hitch did to "The Birds"; it is said that she was much happier with Nicholas Roeg's version of "Don't Look Now." In truth, it is a much more faithful cinematic adaptation. This is a mood (and moody) piece: with one conspicuous exception there is no real shock (although that exception is a dilly). Instead, Roeg creates an off-kilter world that begins in a grey Britain, then quickly moves to a moldier Italy. The production design, cinematography, and music are blended to give one a feeling of creeping but indefinable menace: a dream that begins in grief, gets weirder by degrees, veers into the inexplicable, then turns into a nightmare in which most of the pieces finally fall into place. On first viewing you're on a mysterious journey; on repeated viewings you appreciate just how clever the scenarist and director have been in dropping clues that you couldn't recognize as such until after the fact. I'm being deliberately vague, because to spoil this movie by disclosing too much information would ruin it for a first-time viewer.Donald Sutherland and Julie Christie deliver realistic performances as a married couple that have suffered terrible loss, trying to find their footing together and independently of each other. In less skillful hands the performances could have become awfully melodramatic, but Sutherland and Christie are too talented for that. It's no spoiler to report that this movie presents one of the most realistic scenes of voracious sex in cinematic history. In a fine interview featured among the extras, Sutherland disabuses us of believing that the actors were doing anything more than acting. I believe him (I think).I owned this movie on DVD before upgrading to Criterion's Blu-ray. It was a sound investment. The audio is far more improved, and the image quality is astonishingly better. Much of the film is shot at night in a misty or befogged Venice. On regular DVD the picture is a soupy murk. Here it is so textured that I almost felt the chill. The usual cache of Criterion extras are entertaining and informative. In spite of the movie's title—which turns out to be ironic  in multiple ways—most viewers will find it hard to look away from this haunting film.

### ⭐⭐⭐⭐⭐ 







  
  
    GREAT SURREALISTIC BUT GREAT STORY ABOUT LOVE HORROR AND LOSS
  

*by H***N on Reviewed in the United States on April 24, 2016*

I have seen this film so long time ago and titally mesmerized and found all of the director's other movies right away and bought them as many as possible. Now it's been about 10 years and since I finally bought the bluray, I watched it again.The picture quality was super shart and was more then HD feeling. But of course sadly it was mono sound. They didn't restored the sound into stereo.The movie was famous for so many reasons but among them there are two. 1. The famous artistic love making scene 2. The surrealistic editing that has to do with telepathy and foreseeing ability of the father of the dead daugter and an old lady who sees the husband and daughter of the dead daughter who is also blind.The scenary of the Italy is just malvelous and using the Wide Angle lense, it look so nervous and it totally fits to the horror film look that always made me so over the edge of the seat.I knew briflely how beautiful Julie Christie but I felt it again through this movie even though she was already like in her early 40s or late 30s by then.I can see why John Shcleginger worked so many times with her in his early years with her. She was truely a beauty, charming actress.On the other hand, Donald Sutherland as always is acting like he've never acted like this before. He was a fragile, worrying sad person who is constantly thinks that one day his wife might hurt as his dead daughter which he foreseen her death by looking at the image through his glass with blood spreaded imgage when he was working at his study. He ran and ran to save her back then but she was dead inside the pond already.I should talk about the editing. It was alway brief and surrealistic way that make the audience just so surprised and even though it was made back in 1973, it still feels like it is a 22th century film.For isntance the love making sequence, when Donald is making love with his wife Julie, their love making shots are really realistic, but instead of showing them all together, he cuts back and forth to the other scene that both of them are wearing cloth back, looking at the mirror fixing their wordrobe to make sure they are fit perfectly. So we see them undress, making love & wearing cloth back at the same time. It is kind of unmatchable but if you see it it feels very artistic and understandable.Reason for that? There is no reason I guess. Sometimes surrealistic things just have no reason. They are just arranged for art. We as an audience finds it and makes the reason. The critics make one and shouts out loud as if there is reason. What a bomb.The music is always so soft and tender to show the husband and wife's love but when they are walking in the dark, when there are crisis they might be killed, the sharp knife like sound appears and that really hurt me although it is mono sound.the camera work, zoon in is used really powerfully as scary way through the movie and it is unforgettable. You might know what I mean if you see this movie.Again it is bluray and the picure quality is beyond belief. I was bless seeing this restored version.This is a story about loss, love and death.

### ⭐⭐⭐⭐⭐ 







  
  
    This Criterion blu-ray film is region A only.
  

*by B***W on Reviewed in the United Kingdom on June 23, 2016*

In comparison to the Studio Canal region B blu-ray release, Criterion's release is superior in practically every respect - but most noticeably in terms of playback and supplemental material.  For starters, the Criterion release does not suffer from agressive use of DNR which blights the Studio Canal transfer.  The transfer by Criterion has a very clean and pristine look with practically no flecks or debris on the picture.  But this is to be expected as Criterion's digital transfer was created in 4K resolution from the original camera negative.  The original monaural soundtrack was also remastered at 24-bit from the 35 mm magnetic track of the film.The Criterion blu-ray release is sadly region locked.  It is region A.  Criterion have started to release some of their film catalogue in the UK (as region B), but unfortunately that does not include 'Don't Look Now'.The difference between Criterion's offering and that of Studio Canal's is quite marked; which is a real shame for those living outside of the US who want to see a definitive HD version of this film.If you have a multi region blu-ray player, I'd recommend the Criterion release over the Studio Canal release any day of the week  and twice on Sunday.

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*Last updated: 2026-03-13*