---
product_id: 2518635
title: "Elton John: Don't Shoot Me I'm Only the Piano Player"
price: "€ 31.31"
currency: EUR
in_stock: true
reviews_count: 13
url: https://www.desertcart.hr/products/2518635-elton-john-dont-shoot-me-im-only-the-piano-player
store_origin: HR
region: Croatia
---

# Elton John: Don't Shoot Me I'm Only the Piano Player

**Price:** € 31.31
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- **What is this?** Elton John: Don't Shoot Me I'm Only the Piano Player
- **How much does it cost?** € 31.31 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.hr](https://www.desertcart.hr/products/2518635-elton-john-dont-shoot-me-im-only-the-piano-player)

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## Why This Product

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## Description

One of the best entries from Elton John and Bernie Taupin's remarkably successful mid-'70s run, this album still holds up well over a quarter of a century after its release. Even casual fans will recognize "Daniel," "Elderberry Wine," and "Crocodile Rock," but "Teacher I Need You," "Have Mercy on the Criminal" and "I'm Going to Be a Teenage Idol" are equally good. Elton's backing band at the time (guitarist Davey Johnstone, bassist Dee Murray, and drummer Nigel Olsson) was easily his best, and producer Gus Dudgeon and orchestral arranger Paul Buckmaster bathed the tracks in a warm and enticing glow. The only complaint is that, due to its size, the CD reissue doesn't remotely do justice to the colorful packaging of the original album. --Dan Epstein Newly remastered by original producer Gus Dudgeon utilizing 20 bit technology. Features complete packaging with detailed sleeve notes and 4 bonus tracks: "Skyline Pigeon," "Jack Rabbit," "Whenever You're Ready (We'll Go Steady)" and "Screw You."

Review: Elton Goes Pop - The bad news for Elton's hard rock fans in 1973 was that the guy who made "Madman Across The Water" less than two years before had left the building. In his place was a pop craftsman with a keen interest in making music for the masses. The good news, of course, was Elton's arrival as a full-fledged pop star came with some terrific music, still very enjoyable more than a quarter century later. Actually, his pop leanings were in evidence in 1972 with the release of "Honky Chateau," but this time the gloves are off, and his aim is clearly Casey Kasem country. The result was his first two top-five singles in the U.S., the chart-topping "Crocodile Rock" and #2 hit, "Daniel." "Don't Shoot Me" reached the top of the charts, too, just as "Honky Chateau" did. If you like "Honky Chateau," chances are good you will like "Don't Shoot Me, I'm Only The Piano Player," which in many ways feels like a sequel. The title, for instance, sounds like something the singer in "Honky Cat" might have said if offered an extra chorus. "Crocodile Rock" deals with a faithless girlfriend named Susie, while someone with the same name and inclinations also appears in a song named after her on "Honky Chateau." The two hits on "Don't Shoot Me," painful as it is to say, aren't as enduring as the hits on "Honky Chateau." Frankly, both "Daniel" and "Crocodile Rock" suffer from radio overplay in a way "Honky Cat" and "Rocket Man" don't. That's not to say they aren't great songs, just less enduring. Elton works in some interesting keyboard tones with "Daniel" and plays to the '50s nostalgia craze (quoting Pat Boone, ye gads!) with "Croc Rock," a song I grooved to as a youngster when it first came out and dearly love today. Yet when it comes on my stereo, my focus sometimes wanders a bit. What makes "Don't Shoot Me" a vital chunk of Eltonia is the rest of the album. People deride pop music, and often for the right reasons, but this is pop of an especially high order. "Teacher I Need You," "Elderberry Wine," and "Blues For My Baby And Me" all sound like how-to clinics on making enduring post-Beatles pop, clever and engaging and affecting, each in a different way. If they played these tunes on the radio as much as "Crocodile," I'd probably tire of them, too, but they don't and I'm grateful for that when I get to groove to them today. The rest of the album showcases Elton's diversity. "I'm Gonna Be A Teenage Idol" has fun with the notion Elton was becoming just that, working off a charming melodic underpinning and a solid rhythmic undertow which Elton was indeed becoming a star by using to great effect while other singer-songwriters of his day faded off into obscurity with their bell-bottom Birkenstock blues about the polluted environment or not having a date for the prom. "High Flying Bird" shows Elton's winning sentimental side, while "Have Mercy On The Criminal" revisits "Madman" waters with a better result than most of the songs off that earlier album. Many people rag on "Texas Love Song," but to me it shows lyricist Bernie Taupin was aware of his overromanticizing the South and Western regions of the U.S. and wanted to acknowledge what one of the more narrow-minded denizens of those parts might think of him if they ever met. Sure, the protagonist comes off like Michael Rooker in "Mississippi Burning," but where does it say pop music narrators all have to be nice and sweet? It's a challenging song lyrically, while the music is suitably low-key and rather more authentic-feeling than most of Elton's (otherwise brilliant) country-rock excursions. Especially cool is the inclusion in the remastered CD of four bonus B-sides, three of which ("Screw You," "Jack Rabbit," and "Whenever You're Ready (We'll Go Steady Again)" being every bit as good as the "Don't Shoot Me" album cuts, and forcing me to give this a solid five-star rating despite not being crazy about "Midnight Creeper." Really, if you like anything Elton ever recorded for public consumption, you will like this solid gem of a record even better on CD.
Review: Great Album! - Item is as described, quickly shipped & delivered without issue. Very pleased with this transaction.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN  | B000001EG2 |
| Best Sellers Rank | #7,530 in CDs & Vinyl ( See Top 100 in CDs & Vinyl ) #167 in Adult Contemporary (CDs & Vinyl) #188 in Soft Rock (CDs & Vinyl) #191 in Vocal Pop (CDs & Vinyl) |
| Customer Reviews | 4.8 4.8 out of 5 stars (820) |
| Date First Available  | December 12, 2006 |
| Is Discontinued By Manufacturer  | No |
| Item model number  | 2138792 |
| Label  | The Rocket Record Company |
| Language  | English |
| Manufacturer  | The Rocket Record Company |
| Number of discs  | 1 |
| Original Release Date  | 1996 |
| Product Dimensions  | 5.16 x 5.71 x 0.39 inches; 3.67 ounces |

## Images

![Elton John: Don't Shoot Me I'm Only the Piano Player - Image 1](https://m.media-amazon.com/images/I/71IOa8a6zDL.jpg)
![Elton John: Don't Shoot Me I'm Only the Piano Player - Image 2](https://m.media-amazon.com/images/I/61L0vKdFyCL.jpg)
![Elton John: Don't Shoot Me I'm Only the Piano Player - Image 3](https://m.media-amazon.com/images/I/71lhxhb6QQL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Elton Goes Pop
*by B***M on February 11, 2004*

The bad news for Elton's hard rock fans in 1973 was that the guy who made "Madman Across The Water" less than two years before had left the building. In his place was a pop craftsman with a keen interest in making music for the masses. The good news, of course, was Elton's arrival as a full-fledged pop star came with some terrific music, still very enjoyable more than a quarter century later. Actually, his pop leanings were in evidence in 1972 with the release of "Honky Chateau," but this time the gloves are off, and his aim is clearly Casey Kasem country. The result was his first two top-five singles in the U.S., the chart-topping "Crocodile Rock" and #2 hit, "Daniel." "Don't Shoot Me" reached the top of the charts, too, just as "Honky Chateau" did. If you like "Honky Chateau," chances are good you will like "Don't Shoot Me, I'm Only The Piano Player," which in many ways feels like a sequel. The title, for instance, sounds like something the singer in "Honky Cat" might have said if offered an extra chorus. "Crocodile Rock" deals with a faithless girlfriend named Susie, while someone with the same name and inclinations also appears in a song named after her on "Honky Chateau." The two hits on "Don't Shoot Me," painful as it is to say, aren't as enduring as the hits on "Honky Chateau." Frankly, both "Daniel" and "Crocodile Rock" suffer from radio overplay in a way "Honky Cat" and "Rocket Man" don't. That's not to say they aren't great songs, just less enduring. Elton works in some interesting keyboard tones with "Daniel" and plays to the '50s nostalgia craze (quoting Pat Boone, ye gads!) with "Croc Rock," a song I grooved to as a youngster when it first came out and dearly love today. Yet when it comes on my stereo, my focus sometimes wanders a bit. What makes "Don't Shoot Me" a vital chunk of Eltonia is the rest of the album. People deride pop music, and often for the right reasons, but this is pop of an especially high order. "Teacher I Need You," "Elderberry Wine," and "Blues For My Baby And Me" all sound like how-to clinics on making enduring post-Beatles pop, clever and engaging and affecting, each in a different way. If they played these tunes on the radio as much as "Crocodile," I'd probably tire of them, too, but they don't and I'm grateful for that when I get to groove to them today. The rest of the album showcases Elton's diversity. "I'm Gonna Be A Teenage Idol" has fun with the notion Elton was becoming just that, working off a charming melodic underpinning and a solid rhythmic undertow which Elton was indeed becoming a star by using to great effect while other singer-songwriters of his day faded off into obscurity with their bell-bottom Birkenstock blues about the polluted environment or not having a date for the prom. "High Flying Bird" shows Elton's winning sentimental side, while "Have Mercy On The Criminal" revisits "Madman" waters with a better result than most of the songs off that earlier album. Many people rag on "Texas Love Song," but to me it shows lyricist Bernie Taupin was aware of his overromanticizing the South and Western regions of the U.S. and wanted to acknowledge what one of the more narrow-minded denizens of those parts might think of him if they ever met. Sure, the protagonist comes off like Michael Rooker in "Mississippi Burning," but where does it say pop music narrators all have to be nice and sweet? It's a challenging song lyrically, while the music is suitably low-key and rather more authentic-feeling than most of Elton's (otherwise brilliant) country-rock excursions. Especially cool is the inclusion in the remastered CD of four bonus B-sides, three of which ("Screw You," "Jack Rabbit," and "Whenever You're Ready (We'll Go Steady Again)" being every bit as good as the "Don't Shoot Me" album cuts, and forcing me to give this a solid five-star rating despite not being crazy about "Midnight Creeper." Really, if you like anything Elton ever recorded for public consumption, you will like this solid gem of a record even better on CD.

### ⭐⭐⭐⭐⭐ Great Album!
*by G***N on November 6, 2025*

Item is as described, quickly shipped & delivered without issue. Very pleased with this transaction.

### ⭐⭐⭐⭐⭐ Sweet and Dramatic
*by M***O on February 3, 2021*

As indicated by the marquee bearing the album’s title on its cover, this album has all the elements of a feature film. It contains the ramifications of war, the longing for fame, the restless, reminiscent memories of youth, the stereotypes of the West, the high chase of a fugitive, and suicide. The common element is passion that ties these scenes together with a steady performance that is both sweet and dramatic. The star of this epic is Elton John, and he begins with “Daniel,” a blind war veteran escaping his homeland in search of peace. He is both idolized and missed by his younger brother, and while John claimed the song is often misunderstood on account of his omitting the last verse, the pain and sentiment comes through loud and clear. This is followed by reminiscent upbeat tunes about a school boy crush and better days of marital bliss and drinking wine. This leads to the heart of the album in “Blues for My Baby and Me.” Its description and buildup transcend to the release of youthful tension and an innocent escape. It’s a song that stirs up a listener’s own restlessness with a lingering, feel-good melody, and it remains one of my favorite deep cuts from any Elton John album. But if “Don’t Shoot Me” were an actual movie, “Have Mercy on the Criminal” would be the scene winning John the academy award. It’s gut-wrenching passion lives up to its introduction and is powerful enough to make you feel sympathy for an unlikely character – one on the other side of the law with a story of his own worth telling. Another exemplary scene is depicted in “Texan Love Song.” How two young Englishmen (John/Taupin) were able to vividly portray the thoughts of a stereotypical American redneck on the western landscape is commendable, as is the unforgettable number one hit “Crocodile Rock,” the first American #1 for John that has now taken its place among all his other hits to follow. Its youthful image and energy are timeless. In contrast to its upbeat moments, the album ends on a sad note with “High Flying Bird.” One can get lost in its imagery and smooth melody masking the effects of suicide. It’s about a troubled young girl and her friend or lover’s inability to save her. So the album begins with a young man saying goodbye to his older brother and ends with a young man saying goodbye to his girlfriend – neither of whom could stay in his world. If that’s not enough to make this a blockbuster album, the bonus tracks contain the piano version of “Skyline Pigeon,” which is more poignant than its harpsicord original. The entire album is deeply moving, but also undeniably enjoyable.

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*Last updated: 2026-05-19*