---
product_id: 3401823
title: "OM SYSTEM OLYMPUS E-PM2 Mirrorless Digital Camera, White (Body Only)"
brand: "olympus"
price: "€ 1404.92"
currency: EUR
in_stock: true
reviews_count: 4
category: "Olympus"
url: https://www.desertcart.hr/products/3401823-om-system-olympus-e-pm2-mirrorless-digital-camera-white-body
store_origin: HR
region: Croatia
---

# 8 fps continuous shooting 35-area contrast detect AF 16MP Micro Four Thirds sensor OM SYSTEM OLYMPUS E-PM2 Mirrorless Digital Camera, White (Body Only)

**Brand:** olympus
**Price:** € 1404.92
**Availability:** ✅ In Stock

## Summary

> 📷 Elevate your creative game with the OM SYSTEM E-PM2 – where speed meets precision!

## Quick Answers

- **What is this?** OM SYSTEM OLYMPUS E-PM2 Mirrorless Digital Camera, White (Body Only) by olympus
- **How much does it cost?** € 1404.92 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.hr](https://www.desertcart.hr/products/3401823-om-system-olympus-e-pm2-mirrorless-digital-camera-white-body)

## Best For

- olympus enthusiasts

## Why This Product

- Trusted olympus brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Full HD 1080p Video Capture:** Create cinematic-quality videos to elevate your storytelling.
- • **Precision 35-Point Autofocus:** Pinpoint sharpness with advanced contrast detection and touch focus.
- • **Vibrant 3.0" Touchscreen LCD:** Intuitive control and clear viewing with 460,000 dots resolution.
- • **Lightning-Fast 8 FPS Burst Mode:** Never miss a moment with rapid continuous shooting.
- • **Crisp 16MP Micro Four Thirds Sensor:** Capture stunning detail with professional-grade image quality.

## Overview

The OM SYSTEM OLYMPUS E-PM2 is a sleek, white mirrorless camera featuring a 16MP Micro Four Thirds CMOS sensor, 8 frames per second continuous shooting, and a 35-area contrast detect autofocus system with touch focus. It boasts a 3-inch 460,000-dot touchscreen LCD, Full HD 1080p video recording, and supports RAW + JPEG formats, making it a versatile tool for professional-quality photography and video in a compact form.

## Description

From the Manufacturer CREATIVE POWER IN A SMALL PACKAGE.The PEN E-PM2 is all the proof you need that small and stylish can deliver impressive images. This compact technological wonder features an expansive 16 MP Live MOS sensor and TruePic VI™ Image Processor for powerfully vivid images that rival the quality of an SLR. Let the camera achieve photographic perfection with features like iAuto and 23 Scene Select Modes. Or take control using Direct Live Guide. Explore your creative side with 12 ready-to-use Art Filters. The PEN E-PM2 features technology to help you shoot brilliantly when light is hard to find. There’s blazing speed with an incredibly responsive touch shutter and 8 fps sequential shooting. The PEN E-PM2. The camera you want when you’re ready to leave compacts behind.PROFESSIONAL IMAGE QUALITY16MP Live MOS Image Sensor Featuring the 16 megapixel Live MOS sensor of the OM-D E-M5, the Olympus Micro Four Thirds flagship, the PEN E-PM2 is optimized to maximize the performance of all mZuiko digital lenses in any shooting condition. Improvements to the sensitivity and read-.out speed of the existing sensor makes shooting and Full HD movie recording possible.TruePic VI Image Processor TruePic VI Image Processor, designed specifically for the Olympus PEN, features Real Color Technology for improved color reproduction (especially colors such as emerald green, yellow, and gold) and color gradation. The faster processor also allows for a shorter recovery time between shots.Proven Dust Reduction SystemOlympus’ Dust Reduction System assures spot-free images, even if you change lenses. Every time you turn on the camera, the patented Supersonic Wave Filter silently vibrates, flinging and collecting dust so that it doesn’t interfere with the picture imaging at any time.TruePic VI Image ProcessorTruePic VI Image Processor, designed specifically for the Olympus PEN, features Real Color Technology for improved color reproduction (especially colors such as emerald green, yellow, and gold) and color gradation. The faster processor also allows for a shorter recovery time between shots.In-Body Image StabilizationSay goodbye to blurry images. Olympus’ in-body image stabilization technology makes it possible to use any Micro Four Thirds lenses (or Four Thirds lens), from wide-angle to telephoto, for perfectly clear, crisp photos no matter what the shooting situation, even in low light!EASE OF USE NEW Built-In Grip For form, fit and feel. The E-PM2's built-in grip allows for secure and comfortable handling of the E-S3.NEW Immediate Response Touch Navigation on 3" LCD The E-PM2 features a vertical bar touch navigation menu, The E-PM2 is designed to optimize the touch screen LCD and was introduced to operate the MENU display with a new simple operation instead of a mode dial. The E-PM2’s Touchscreen reacts quickly with the slightest touch and can focus by touch even if the subject is not in the center.Live Guide and NEW Direct Live Guide Button The E-PM2’s Live Guide system allows you to preview effects as you adjust them – before the image is even captured. With a simple touch, slide through numerous photographic effects, such as brightness, color saturation, blur background, etc. And now, it’s even easier to get to the Live Guide menu at the touch of a button on the top of the camera.iAuto A convenient, fully automated feature that detects the scene and applies the best of six situations just by aiming the camera toward the subject. Backlight adjustment are automatically applied for Portrait and Landscape modes.BLAZING SPEEDImmediate Response ONE-Touch Shutter and Control The E-PM2’s Touchscreen reacts quickly with the slightest touch and can focus by touch even if the subject is not in the center. Touch Screen display makes it easy to choose AF points, capture a picture, change camera settings, release the shutter or navigate the Live Guide controls, simply by touching the screen.8fps Sequential ShootingStunning low light photos are a click away with an increased ISO sensitivity to 25,600.FAST AF with Face and Eye Detect The FAST (Frequency Acceleration Sensor Technology) AF System is able to focus at an incredible speed and offers 35 separate focus points that are spread over nearly the entire sensor, which makes it possible for pin-point accurate focusing on small subjects wherever they appear in the frame. Selectable 3x3 groups within the 35-point area are especially effective when shooting active subjects.CREATIVE FREEDOM12 Art Filters with 7 Art Filter Effects Twelve in-camera Art Filters are enhanced by new filter variations, art effects and bracketing. Photographers can use Art Filters in all shooting modes as well as filming HD movies. The Twelve in-camera Art Filters (Pop Art, Soft Focus, Pale and Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Gentle Sepia, Cross Process, Key Line and Dramatic Tone, Watercolor) are enhanced by new filter variations, art effects and bracketing. Photographers can use Art Filters in all shooting modes as well as filming HD movies. Also, the E-PM2 now features the Monochrome Art Filter Effect, where the Picture Tone effect can change the color from normal monotone to sepia, blue, purple, and green.Full 1080i HD Movie - with Art Filter Movie Shoot up to 29 minutes of 1080 60i HD video and stereo sound in either .MOV or .AVI formats. A Direct HD Movie Button switches you from still to movie mode with just the press of a button. Shoot movies with Art Filters, and new to the E-S3, change your Art Filter while taking the movie, and see the change right on the LCD.LOW LIGHT PERFORMANCEAF IlluminatorThe addition of this super luminosity LED beam allows the camera to focus faster in low light up to almost 10 feetBundled FlashAttachable flash included. This camera provides the flexibility to attach a flash to your camera via the accessory port, or leave it at home for maximum portability.

Review: 3 Days with the EPM2 - BACKGROUND: I have been shooting for 12 years, with some paid jobs and extensive photos, in the field of low-light action (opera/theater shoots), as well as landscape, astrophotography, portraiture, and off-the-cuff every-day shooting. I also did portrait sessions, pre-wedding glamour shots, and wedding reception photography. I've owned many cameras, starting out with the Kodak CX7300 that my dad got me for Christmas when I was 12 years old, then getting a Canon Digital Rebel XT courtesy of my uncle who used to be a Canon regional sales rep, and eventually buying 10-22mm, 50mm f/1.4, 24mm f/1.4L, 70-300 4-5.6 IS, 22-55mm (older slightly unconventional kit lens), and 100mm f/2.8 macro. These were all highly enjoyable lenses and cameras and I did a great amount of shooting. I was greatly invested in the system. I worked all summer when I was 16 to save up for a 5D since I craved the look of 35mm film that I got in darkroom class in high school. I sold off my XT and ended up with a 5D, 50/1.4, 24/1.4L, and 70-300. This gave me great results but in 2013, I was starting to feel like the 5D was dated. The lenses were awesome but I had to do a lot of editing to get my pictures the way I liked them to look--i.e. editing out vignetting, chromatic aberration in the 24mm (mk I), and taking out noise. The 5D felt great in my huge hands but the LCD had inaccurate colors, I had to attach a large speedlite for flash, and I just stopped bringing it with me to shoot because of its heft. I wanted something smaller and up-to-date. Due to a lack of justification to hold on to a system I was barely using anymore, and a day job that wasn't in photography, I sold all my Canon gear and in 2014 bought a Fuji X100. WOW... This camera was an interesting beast. The quality is the closest I've seen to film in any camera. The JPEGs really are that good. The sharpness was great and natural looking, the noise was well controlled and pleasant if there at all. The dynamic range with the DR400 setting was so convenient and amazing! I couldn't believe some of the shots I could get, especially landscapes. Ultimately, however, I ended up selling this camera because of two huge problems... the general lack of responsiveness and the inability to change lenses. I knew that it would be limiting to only have 35mm equiv lens, but I really did miss shooting with a 50mm or a 70-300 and blurring out the world. Also, even with the latest firmware, the focus was very unreliable even in *decent* light and to turn on the camera, focus, and get the shot, was sometimes impossible due to the delays. I missed a decent amount of shots because of it. And I realized that the great image quality of a camera is wasted if you can't get a hold of a shot. So, here comes the EPM2 (finally!) Just a few days ago, I received my EPM2. I decided on the camera for a couple reasons... the very small size and lightweight quality of the camera, the great selection of (just as small) lenses, the reported quick, reliable auto-focus and responsiveness, and the quality-to-size ratio compared to other small cameras. In general I do *not* take DXO Mark sensor scores seriously. I think they are a useful tool to look at dynamic range, however. And the EPM2 was rated over 12 EV which is typically excellent. My idea was that this, along with the small size, different selection of gradation modes, and quick start up and autofocus times, I would have more luck with this camera. Since I've only had the camera for literally 3 days, this is obviously an early-on review. I'm still getting used to the layout and the system in general. Right away, I noticed HOW SMALL the thing is. Very small and light, but still solid, and a very attractive white body with tan grip. Very cute. I have large hands (I'm 6'1, lanky, VERY large hands) and the grip isn't as bad as I expected based on the dimensions of the body. The grip material is nice and ever so slightly pliable, so that one's fingers can push in and feel secure with it. The tan grip on the back of the camera is also well textured and well placed, so fortunately, I haven't felt insecure holding the camera. I did some research prior to my purchase and knew that there were menus to "unlock," so right away I unlocked it and started setting up custom button options, sharpness, saturation, etc. I found that the default setting for the images was a little too sharp. I set my sharpness to -1 and I like the sharpness much better. The colors SOOC are pleasing, if a tad bit warm. I actually do like that and left the White balance mode in "warm" but we'll see if I grow sick of it. I also kept gradation mode on auto since it seems to make the right choice depending upon the scene. With the 14-42 lens (which has an ever-so-touchable zoom ring) I have attained many keepers already! Shooting my coworker's dog on a lunch break the other day proved very fun and I got lots of in-focus pictures of the dog at 8fps! EIGHT FPS THAT IS SO FAST!!! I remember when the Canon 1D Mark III came out and 10fps seemed ungodly fast! I had a few out-of-focus shots but it was totally my fault. I'll get there. Of course, with the kit lens, or any other kit lens, the f/3.5-5.6 aperture is limiting. Certainly trying to get pictures of my cat with only one paper lantern lit was a little challenging...though the camera did great with AF, though it did need to use the AF assist orange lamp. The in-body IS seems to help but I honestly feel like optical IS seems more effective, at least when I used IS on my old Canon 70-300 or my dad's 17-55 2.8 IS. I have been able to get sharp images down to 1/15th of a second shooting at 42mm. I'll keep observing though and see how it works at slower speeds. Other things I've noticed... It just really is quite fast. Unless I haven't unlocked the lens, if I see something I want to capture, I've been able to capture it. Like my cat yawning, which I could never capture with the X100... just couldn't get the timing right. And that's what I've learned about my needs as a photographer...Timing is everything in photography, especially if the moment is fleeting. I could have the highest quality medium format digital sensor but if it takes 3 seconds to start up and mis-focuses, I have NO quality. But with the EPM2, I feel like I'm getting maybe not AS high of quality as the X100 but it makes up for it by actually HAVING the image, rather than having a smooth, noise free out-of-focus shot. Overall, I love the camera for its portability, wide range of native mount lenses, Panasonic, and 3rd party lenses. I can't wait to save and get a fast prime like I'm used to on the Fuji or Canon. The one thing I have noticed is that while sharpness is definitely comparable to the X100, I have noticed more chromatic noise starting around ISO 800. While this is easy to take out in post, the X100 corrected for this automatically. Please feel free to comment on my review to recommend an in-camera fix for this, but so far, I haven't found one. Besides this, I am highly impressed with the images and feel that the dynamic range, color, and overall look is of great quality. I also LOVE having a double exposure mode, but HATE digging through the menus every time to set it. I have everything set up so that I only have to press a button to do my most frequently fiddled-with settings, but I can't seem to figure out a way to program or get a shortcut for the multiple exposure mode. Feel free to comment if any of you know a solution to this as well. I would highly recommend the camera, though I will say I do miss having an EVF. Surprisingly, though, the LCD, while not as high-res as other current cameras, is very usable and I haven't minded shooting with it. Of course, down the road, I can get the add-on EVF if I want to. And that's a large reason why I picked this... it's a system, and when I get more money or I feel like I've grown out of it, I can upgrade and keep other parts of the system!! Great camera for just about any photographer! Can't wait to find out what it's really capable of, especially at night!! Thanks for reading!
Review: Great value for a compact DSLR alternative - I am a photography amateur enthusiast. My other cameras are a Nikon D5100 and a D600 DSLRs with a range of lenses (prime and zooms). I've started shooting film back in early 90s on an old Nikon SLR. I also own a tiny pocket Canon ELPH HS300 point and shoot, which I wasn't really happy with. The pictures were rarely better than what I can take with my iPhone, at which point as small as the camera is, it's too big. I wanted something compact that could still take the breathtaking pictures my DSLR is capable of, and I spent a long time researching the best option. The main contenders were mirrorless cameras with largish sensors (for the form factor). Against a Fujifilm x100: I have to say Fujifilm's x100 (and the upcoming x100s) is a beautiful camera, I really like the retro look of it. It also features a great APS-C sized sensor on it, which makes for a great picture quality. The problem with this camera is the sluggish auto focus, which for a compact "walk around" camera is especially problematic (apparently the upcoming x100s is supposed to improve on this). It was also little pricey for what I wanted to spend. Sony RX100: Is a great little camera, which can take great photos. But I wanted something with a little bigger sensor and interchangeable lenses. You see I want to be able to invest the bulk of my money into lenses as no doubt the camera bodies become somewhat outdated every 2-4 years. And then I gave the Micro Four Thirds cameras a consideration. See the Micro Four Thirds is an open standard Olympus and Panasonic have created, where you can freely use all m4/3 lenses on any camera body. More companies are joining this alliance each month. As a result m4/3 cameras have the biggest selection of lenses of any mirorless camera competitor. It's exactly what this industry has needed for a long time. For companies to put an open standard together. No more vendor lock in and price gauging on lenses. Also you can be sure there will be long term support for this system as there appears to be quite a surge in popularity. More and more wedding photographers for instance are switching to this system, because of the ergonomics offered by much smaller and lighter gear required for all day shooting, as well as the selection of some really outstanding lenses for a decent price. Just on this alone, the choice for me was clear. All I had to do now is pick a micro four thirds camera. I've never used an Olympus camera before, but I've met photographers who have praised these cameras in the past. I read some reviews and researched the specs. I wanted compactness, and no need for a swivel screen. This narrowed the choice for me down to an E-PM2: - It uses the same sensor as the top of the line OM-D so technically capable of capturing the same quality images. - It is small and light. I really wasn't into the design of the camera, at first look I thought it was quite ugly, a more retro look would have been better, but that's just my taste. I have to say the look of the camera is growing on me though. I elected not to get the kit lens, and I went with the 20/1.7 LUMIX "pancake": Panasonic LUMIX G 20mm f/1.7 Aspherical Pancake Lens for Micro Four Thirds Interchangeable Lens Cameras lens (immediately taking advantage of the open standard!) So my first impressions after using this camera for a week (sorry for the long intro): Wow! In fact I am so impressed that I am actually thinking about selling my DSLR gear completely. I was little concerned that maybe I wouldn't like the native 4:3 aspect over the 3:2, but it turns out 4:3 is actually much more suited for portraits. In portrait mode it gives you more flexibility. Where it might lack is certain landscapes, but those can often be cropped to 3:2 without much loss in quality. I can't tell a difference in picture quality between this camera and my DSLR. Pros: - Autofocus. The speed at which this camera can auto focus and snap a photo is astounding. Way faster than my DSLR. In fact I thought the tap the screen to take a photo was a gimmick, but with such a fast AF, I find I am snapping twice as many photos than I normally do, and they are all in perfect focus. I was totally cough by surprise with how good snapping pictures feels with this camera, because of its responsiveness. There is a certain quality tactile feeling you get when you snap photos almost at the same time you touch the screen. A feature I didn't think I was going to use became my new favorite way of taking pictures. What's also great about it, if you're doing street photography, you don't even look like you're taking a photo. So your subjects are not distracted by it. - Image quality. I shoot raw. And I find photos have good dynamic range, which lets me do a lot with them when I post process in Lightroom. And I find even in low light I can take photos comparable to what I take with my DSLR. - Size. The camera is small and easy to cary, it fits in a jacket pocket, or a small bag. I can also now put it in my laptop case, and bring it to work with me. - Great UI As someone new to Olympus cameras, this was a concern. But I felt right at home with the user interface only after a few days of using the camera. I assigned the 'fn' key to my ISO settings, I shoot in Aperture Priority mode. Obviously this camera has much less dedicated buttons than the top of the line cameras, but I find E-PM2's buttons are sufficient for Aperture Priority style of shooting I do. - m4/3 availability of great lenses, with more 3rd parties announcing new products each month, it's truly exciting. Even things like pro cinema Black Magic camera coming out this year will feature an m4/3 mount. The adapters can be purchased for all sorts of lenses. In fact you can get a $31 C adapter and a CCTV lens RainbowImaging 35MM F1.7 TV Movie Lens + Lens Adapter for MFT M4/3 camera, fits Panasonic G1 G2 G3 G10 GF1 GF2 GF3 GH2 GH1 GH2, Olympus E-P1 E-P2 E-P3 E-PL1 E-PL2 which can let you create some very interesting effects/pictures. I've used my Nikon lenses on this camera and it works great. But the lack of focus peeking feature Sony cameras offer hinders this advantage somewhat. Cons: - None. Really, when it comes to price and what you get for it, I can't think of a single negative to say about this camera. Would like to see improved: - Manual focus. I haven't yet found the best way to take photos with adapted manual lenses. I have re-assigned my Rec button to let me zoom in. But its not ideal. Though this really can't be counted against the camera of this price, it would still be nice if it offered something like 'focus peaking' Sony cameras have. I think there is a way to use one of the Art filters to help with focus but its not ideal. - It's not a pretty camera. This might be just me. But would love a more retro (rangefinder look) at this price range. Like the OM-D without the rangefinder bulge would be beautiful. I went with the silver version. I would have liked the white version better if it didn't have the weird colored tan grip pad. Conclusion: One of the best buys in the category. You are not only buying a great camera but investing into a great system with great lens selection. You are also supporting an open standard in an industry dominated by proprietary lock-ins and price gauging. Edit July 3 2014: I have purchased this camera at the introductory price $500 and it was a great deal then. At the current price, this camera is a no brainer. There is simply nothing on the market that can compete with this value.

## Features

- 16MP CMOS Micro Four Thirds sensor
- 8 frames per second continuous shooting
- 35-area contrast detect AF with touch focus
- ISO 100-25,600
- 1080 HD video
- 3.0 inch touchscreen LCD with 460,000 dots
- Optional electronic viewfinder accessory
- Raw and Raw + JPEG shooting
- SD/SDHC/SDXC card slot

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Screen Size | 3 Inches |
| Display Type | LCD |
| Dots Per Screen | 460,000 |
| Display Fixture Type | Fixed |
| Touch Screen Type | Yes |
| Display Resolution Maximum | 460000 |
| Has Color Screen | Yes |
| Flash Memory Type | SD/SDHC/SDXC |
| Write Speed | 8 fps |
| Flash Memory Bus Interface Type | SD |
| Compatible Mountings | Micro Four Thirds |
| Sensor Type | CMOS |
| Image stabilization | Sensor-shift |
| Expanded ISO Minimum | 200 |
| Photo Sensor Resolution | 16 MP |
| Photo Sensor Size | Micro Four Thirds |
| Maximum Shutter Speed | 1/4000 seconds |
| Minimum Shutter Speed | 60 seconds |
| Form Factor | Mirrorless |
| Special Feature | Image Stabilization |
| Color | White |
| Item Weight | 0.59 Pounds |
| Video Resolution | FHD 1080p |
| Viewfinder | Electronic |
| Flash Modes | Auto, On/Fill, Off |
| Camera Flash | no flash |
| Skill Level | Professional |
| Compatible Devices | Computers, smartphones, tablets with USB 2.0 support and compatible file formats |
| Continuous Shooting | 8 |
| Aperture modes | F2.8-F5.6 |
| Flash Sync Speed | 1/250 sec |
| Video Capture Format | MPEG-4, AVI, MJPEG, AVC |
| Expanded ISO Maximum | 1600 |
| Battery Weight | 40 Grams |
| Delay between shots | 0.13 seconds |
| Battery Cell Type | Lithium Ion |
| Battery Average Life | 360 Photos |
| Battery Type | Lithium Ion |
| Processor Description | truepic 6 |
| Water Resistance Level | Not Water Resistant |
| Aspect Ratio | 16:9 |
| File Format | RAW, JPEG, RAW+JPEG, MPO(3D still) |
| Effective Still Resolution | 16 MP |
| JPEG Quality Level | Normal |
| Supported Image Format | RAW, JPEG, MPO(3D still) |
| Total Still Resolution | 16 MP |
| Optical Zoom | 1 x |
| Camera Lens | Olympus M.Zuiko Digital 14-42mm F3.5-5.6 II R |
| Metering Methods | Multi, Center-weighted, Spot |
| Exposure Control | Program AE, Shutter priority, Aperture priority, Automatic |
| White Balance Settings | Flash torch |
| Crop Mode | 4:3 |
| Connectivity Technology | USB, HDMI |
| Wireless Technology | EyeFi |
| Video Output | HDMI |
| Total USB 2.0 Ports | 1 |
| Total USB Ports | 1 |
| Total Video Out Ports | 2 |
| Shooting Modes | Movie, Program AE, Aperture Priority, Shutter Priority |
| Digital-Still | Yes |
| Movie Mode | Yes |
| Image Capture Type | Stills & Video |
| Night vision | No |
| Auto Focus Technology | Selective single-point, Face Detection, Tracking, Multi-area, Single, Continuous, Live View, Contrast Detection, Touch |
| Focus Features | Contrast Detection |
| Autofocus Points | 35 |
| Focus Type | Auto Focus |
| Focus Mode | Manual Focus (MF) |
| Autofocus | Yes |

## Product Details

- **Compatible Mountings:** Micro Four Thirds
- **Aspect Ratio:** Unknown
- **Photo Sensor Technology:** CMOS
- **Supported File Format:** RAW, JPEG, RAW+JPEG, MPO(3D still)
- **Image Stabilization:** Sensor-shift
- **Optical Zoom:** 1 x
- **Expanded ISO Minimum:** 200
- **Metering Description:** Multi, Center-weighted, Spot
- **Brand:** Olympus
- **Model Name:** Olympus E-PM2

## Images

![OM SYSTEM OLYMPUS E-PM2 Mirrorless Digital Camera, White (Body Only) - Image 1](https://m.media-amazon.com/images/I/61UrbAVukDL._AC_SX679_.jpg)
![OM SYSTEM OLYMPUS E-PM2 Mirrorless Digital Camera, White (Body Only) - Image 2](https://m.media-amazon.com/images/I/61p+e05vURL._AC_SX679_.jpg)
![OM SYSTEM OLYMPUS E-PM2 Mirrorless Digital Camera, White (Body Only) - Image 3](https://m.media-amazon.com/images/I/61qQQyAD5hL._AC_SX679_.jpg)
![OM SYSTEM OLYMPUS E-PM2 Mirrorless Digital Camera, White (Body Only) - Image 4](https://m.media-amazon.com/images/I/61vFiF5M72L._AC_SL1024_.jpg)
![OM SYSTEM OLYMPUS E-PM2 Mirrorless Digital Camera, White (Body Only) - Image 5](https://m.media-amazon.com/images/I/61vFiF5M72L._AC_SX679_.jpg)

## Questions & Answers

**Q: Does this camera work well in low light?**
A: This camera produces outstanding results up to ISO 1600 and usable results up to ISO 6400.  If paired with a fast lens such as the Pan/Leica 25mm f/1.4, Pan 20mm f/1.7, Oly 45mm f/1.8, Oly 75mm f/1.8, etc... you can easily shoot in available and low light.  Low light performance of the latest generation of sensors in Oly cameras is basically equivalent to the latest APS-C sensors found in Canon and Nikon DSLRs.It is still important (as with any interchangeable lens camera, including full-frame DSLRs) to use a fast lens to get the best results in low light.  The kit lens is not ideal for this.

**Q: Does it have a panorama mode?**
A: i checked on snapsort.com Olympus E-PM2 does have Panorama feature.

**Q: Does this come with the attachable external flash?  And has onyone tried the add-on EVF or the WI Fi card?**
A: The E PM2 I bought had a external flash as an attachment at no additional cost.  So far I have not used it.  I can take indoor photos without it.  I don't know anything about EVF or Wi Fi card.

**Q: Can you put a viewfinder attachment on this camera?**
A: Yes Olympus makes a couple of viewfinder attachments that fit in the same shoe as the flash attachment. One of the viewfinders is an Olympus VF-3.

## Customer Reviews

### ⭐⭐⭐⭐⭐ 3 Days with the EPM2
*by J***N on March 4, 2015*

BACKGROUND: I have been shooting for 12 years, with some paid jobs and extensive photos, in the field of low-light action (opera/theater shoots), as well as landscape, astrophotography, portraiture, and off-the-cuff every-day shooting. I also did portrait sessions, pre-wedding glamour shots, and wedding reception photography. I've owned many cameras, starting out with the Kodak CX7300 that my dad got me for Christmas when I was 12 years old, then getting a Canon Digital Rebel XT courtesy of my uncle who used to be a Canon regional sales rep, and eventually buying 10-22mm, 50mm f/1.4, 24mm f/1.4L, 70-300 4-5.6 IS, 22-55mm (older slightly unconventional kit lens), and 100mm f/2.8 macro. These were all highly enjoyable lenses and cameras and I did a great amount of shooting. I was greatly invested in the system. I worked all summer when I was 16 to save up for a 5D since I craved the look of 35mm film that I got in darkroom class in high school. I sold off my XT and ended up with a 5D, 50/1.4, 24/1.4L, and 70-300. This gave me great results but in 2013, I was starting to feel like the 5D was dated. The lenses were awesome but I had to do a lot of editing to get my pictures the way I liked them to look--i.e. editing out vignetting, chromatic aberration in the 24mm (mk I), and taking out noise. The 5D felt great in my huge hands but the LCD had inaccurate colors, I had to attach a large speedlite for flash, and I just stopped bringing it with me to shoot because of its heft. I wanted something smaller and up-to-date. Due to a lack of justification to hold on to a system I was barely using anymore, and a day job that wasn't in photography, I sold all my Canon gear and in 2014 bought a Fuji X100. WOW... This camera was an interesting beast. The quality is the closest I've seen to film in any camera. The JPEGs really are that good. The sharpness was great and natural looking, the noise was well controlled and pleasant if there at all. The dynamic range with the DR400 setting was so convenient and amazing! I couldn't believe some of the shots I could get, especially landscapes. Ultimately, however, I ended up selling this camera because of two huge problems... the general lack of responsiveness and the inability to change lenses. I knew that it would be limiting to only have 35mm equiv lens, but I really did miss shooting with a 50mm or a 70-300 and blurring out the world. Also, even with the latest firmware, the focus was very unreliable even in *decent* light and to turn on the camera, focus, and get the shot, was sometimes impossible due to the delays. I missed a decent amount of shots because of it. And I realized that the great image quality of a camera is wasted if you can't get a hold of a shot. So, here comes the EPM2 (finally!) Just a few days ago, I received my EPM2. I decided on the camera for a couple reasons... the very small size and lightweight quality of the camera, the great selection of (just as small) lenses, the reported quick, reliable auto-focus and responsiveness, and the quality-to-size ratio compared to other small cameras. In general I do *not* take DXO Mark sensor scores seriously. I think they are a useful tool to look at dynamic range, however. And the EPM2 was rated over 12 EV which is typically excellent. My idea was that this, along with the small size, different selection of gradation modes, and quick start up and autofocus times, I would have more luck with this camera. Since I've only had the camera for literally 3 days, this is obviously an early-on review. I'm still getting used to the layout and the system in general. Right away, I noticed HOW SMALL the thing is. Very small and light, but still solid, and a very attractive white body with tan grip. Very cute. I have large hands (I'm 6'1, lanky, VERY large hands) and the grip isn't as bad as I expected based on the dimensions of the body. The grip material is nice and ever so slightly pliable, so that one's fingers can push in and feel secure with it. The tan grip on the back of the camera is also well textured and well placed, so fortunately, I haven't felt insecure holding the camera. I did some research prior to my purchase and knew that there were menus to "unlock," so right away I unlocked it and started setting up custom button options, sharpness, saturation, etc. I found that the default setting for the images was a little too sharp. I set my sharpness to -1 and I like the sharpness much better. The colors SOOC are pleasing, if a tad bit warm. I actually do like that and left the White balance mode in "warm" but we'll see if I grow sick of it. I also kept gradation mode on auto since it seems to make the right choice depending upon the scene. With the 14-42 lens (which has an ever-so-touchable zoom ring) I have attained many keepers already! Shooting my coworker's dog on a lunch break the other day proved very fun and I got lots of in-focus pictures of the dog at 8fps! EIGHT FPS THAT IS SO FAST!!! I remember when the Canon 1D Mark III came out and 10fps seemed ungodly fast! I had a few out-of-focus shots but it was totally my fault. I'll get there. Of course, with the kit lens, or any other kit lens, the f/3.5-5.6 aperture is limiting. Certainly trying to get pictures of my cat with only one paper lantern lit was a little challenging...though the camera did great with AF, though it did need to use the AF assist orange lamp. The in-body IS seems to help but I honestly feel like optical IS seems more effective, at least when I used IS on my old Canon 70-300 or my dad's 17-55 2.8 IS. I have been able to get sharp images down to 1/15th of a second shooting at 42mm. I'll keep observing though and see how it works at slower speeds. Other things I've noticed... It just really is quite fast. Unless I haven't unlocked the lens, if I see something I want to capture, I've been able to capture it. Like my cat yawning, which I could never capture with the X100... just couldn't get the timing right. And that's what I've learned about my needs as a photographer...Timing is everything in photography, especially if the moment is fleeting. I could have the highest quality medium format digital sensor but if it takes 3 seconds to start up and mis-focuses, I have NO quality. But with the EPM2, I feel like I'm getting maybe not AS high of quality as the X100 but it makes up for it by actually HAVING the image, rather than having a smooth, noise free out-of-focus shot. Overall, I love the camera for its portability, wide range of native mount lenses, Panasonic, and 3rd party lenses. I can't wait to save and get a fast prime like I'm used to on the Fuji or Canon. The one thing I have noticed is that while sharpness is definitely comparable to the X100, I have noticed more chromatic noise starting around ISO 800. While this is easy to take out in post, the X100 corrected for this automatically. Please feel free to comment on my review to recommend an in-camera fix for this, but so far, I haven't found one. Besides this, I am highly impressed with the images and feel that the dynamic range, color, and overall look is of great quality. I also LOVE having a double exposure mode, but HATE digging through the menus every time to set it. I have everything set up so that I only have to press a button to do my most frequently fiddled-with settings, but I can't seem to figure out a way to program or get a shortcut for the multiple exposure mode. Feel free to comment if any of you know a solution to this as well. I would highly recommend the camera, though I will say I do miss having an EVF. Surprisingly, though, the LCD, while not as high-res as other current cameras, is very usable and I haven't minded shooting with it. Of course, down the road, I can get the add-on EVF if I want to. And that's a large reason why I picked this... it's a system, and when I get more money or I feel like I've grown out of it, I can upgrade and keep other parts of the system!! Great camera for just about any photographer! Can't wait to find out what it's really capable of, especially at night!! Thanks for reading!

### ⭐⭐⭐⭐⭐ Great value for a compact DSLR alternative
*by M***R on February 1, 2013*

I am a photography amateur enthusiast. My other cameras are a Nikon D5100 and a D600 DSLRs with a range of lenses (prime and zooms). I've started shooting film back in early 90s on an old Nikon SLR. I also own a tiny pocket Canon ELPH HS300 point and shoot, which I wasn't really happy with. The pictures were rarely better than what I can take with my iPhone, at which point as small as the camera is, it's too big. I wanted something compact that could still take the breathtaking pictures my DSLR is capable of, and I spent a long time researching the best option. The main contenders were mirrorless cameras with largish sensors (for the form factor). Against a Fujifilm x100: I have to say Fujifilm's x100 (and the upcoming x100s) is a beautiful camera, I really like the retro look of it. It also features a great APS-C sized sensor on it, which makes for a great picture quality. The problem with this camera is the sluggish auto focus, which for a compact "walk around" camera is especially problematic (apparently the upcoming x100s is supposed to improve on this). It was also little pricey for what I wanted to spend. Sony RX100: Is a great little camera, which can take great photos. But I wanted something with a little bigger sensor and interchangeable lenses. You see I want to be able to invest the bulk of my money into lenses as no doubt the camera bodies become somewhat outdated every 2-4 years. And then I gave the Micro Four Thirds cameras a consideration. See the Micro Four Thirds is an open standard Olympus and Panasonic have created, where you can freely use all m4/3 lenses on any camera body. More companies are joining this alliance each month. As a result m4/3 cameras have the biggest selection of lenses of any mirorless camera competitor. It's exactly what this industry has needed for a long time. For companies to put an open standard together. No more vendor lock in and price gauging on lenses. Also you can be sure there will be long term support for this system as there appears to be quite a surge in popularity. More and more wedding photographers for instance are switching to this system, because of the ergonomics offered by much smaller and lighter gear required for all day shooting, as well as the selection of some really outstanding lenses for a decent price. Just on this alone, the choice for me was clear. All I had to do now is pick a micro four thirds camera. I've never used an Olympus camera before, but I've met photographers who have praised these cameras in the past. I read some reviews and researched the specs. I wanted compactness, and no need for a swivel screen. This narrowed the choice for me down to an E-PM2: - It uses the same sensor as the top of the line OM-D so technically capable of capturing the same quality images. - It is small and light. I really wasn't into the design of the camera, at first look I thought it was quite ugly, a more retro look would have been better, but that's just my taste. I have to say the look of the camera is growing on me though. I elected not to get the kit lens, and I went with the 20/1.7 LUMIX "pancake": Panasonic LUMIX G 20mm f/1.7 Aspherical Pancake Lens for Micro Four Thirds Interchangeable Lens Cameras lens (immediately taking advantage of the open standard!) So my first impressions after using this camera for a week (sorry for the long intro): Wow! In fact I am so impressed that I am actually thinking about selling my DSLR gear completely. I was little concerned that maybe I wouldn't like the native 4:3 aspect over the 3:2, but it turns out 4:3 is actually much more suited for portraits. In portrait mode it gives you more flexibility. Where it might lack is certain landscapes, but those can often be cropped to 3:2 without much loss in quality. I can't tell a difference in picture quality between this camera and my DSLR. Pros: - Autofocus. The speed at which this camera can auto focus and snap a photo is astounding. Way faster than my DSLR. In fact I thought the tap the screen to take a photo was a gimmick, but with such a fast AF, I find I am snapping twice as many photos than I normally do, and they are all in perfect focus. I was totally cough by surprise with how good snapping pictures feels with this camera, because of its responsiveness. There is a certain quality tactile feeling you get when you snap photos almost at the same time you touch the screen. A feature I didn't think I was going to use became my new favorite way of taking pictures. What's also great about it, if you're doing street photography, you don't even look like you're taking a photo. So your subjects are not distracted by it. - Image quality. I shoot raw. And I find photos have good dynamic range, which lets me do a lot with them when I post process in Lightroom. And I find even in low light I can take photos comparable to what I take with my DSLR. - Size. The camera is small and easy to cary, it fits in a jacket pocket, or a small bag. I can also now put it in my laptop case, and bring it to work with me. - Great UI As someone new to Olympus cameras, this was a concern. But I felt right at home with the user interface only after a few days of using the camera. I assigned the 'fn' key to my ISO settings, I shoot in Aperture Priority mode. Obviously this camera has much less dedicated buttons than the top of the line cameras, but I find E-PM2's buttons are sufficient for Aperture Priority style of shooting I do. - m4/3 availability of great lenses, with more 3rd parties announcing new products each month, it's truly exciting. Even things like pro cinema Black Magic camera coming out this year will feature an m4/3 mount. The adapters can be purchased for all sorts of lenses. In fact you can get a $31 C adapter and a CCTV lens RainbowImaging 35MM F1.7 TV Movie Lens + Lens Adapter for MFT M4/3 camera, fits Panasonic G1 G2 G3 G10 GF1 GF2 GF3 GH2 GH1 GH2, Olympus E-P1 E-P2 E-P3 E-PL1 E-PL2 which can let you create some very interesting effects/pictures. I've used my Nikon lenses on this camera and it works great. But the lack of focus peeking feature Sony cameras offer hinders this advantage somewhat. Cons: - None. Really, when it comes to price and what you get for it, I can't think of a single negative to say about this camera. Would like to see improved: - Manual focus. I haven't yet found the best way to take photos with adapted manual lenses. I have re-assigned my Rec button to let me zoom in. But its not ideal. Though this really can't be counted against the camera of this price, it would still be nice if it offered something like 'focus peaking' Sony cameras have. I think there is a way to use one of the Art filters to help with focus but its not ideal. - It's not a pretty camera. This might be just me. But would love a more retro (rangefinder look) at this price range. Like the OM-D without the rangefinder bulge would be beautiful. I went with the silver version. I would have liked the white version better if it didn't have the weird colored tan grip pad. Conclusion: One of the best buys in the category. You are not only buying a great camera but investing into a great system with great lens selection. You are also supporting an open standard in an industry dominated by proprietary lock-ins and price gauging. Edit July 3 2014: I have purchased this camera at the introductory price $500 and it was a great deal then. At the current price, this camera is a no brainer. There is simply nothing on the market that can compete with this value.

### ⭐ It was a fun camera for a few months while it was still ...
*by V***E on May 1, 2018*

Shutter is permanently closed. It was a fun camera for a few months while it was still functional.

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