---
product_id: 47976888
title: "UMC202HD Audiophile 2x2, 24-Bit/192 kHz USB Audio Interface with Midas Mic Preamplifiers | For Recording Microphones and Instruments"
brand: "behringer"
price: "€ 159.86"
currency: EUR
in_stock: true
reviews_count: 8
category: "Behringer"
url: https://www.desertcart.hr/products/47976888-umc202hd-audiophile-2x2-24-bit-192-khz-usb-audio-interface
store_origin: HR
region: Croatia
---

# Zero-Latency Direct Monitoring 2x2 Combo XLR/TRS Inputs 24-Bit/192kHz Hi-Res Audio UMC202HD Audiophile 2x2, 24-Bit/192 kHz USB Audio Interface with Midas Mic Preamplifiers | For Recording Microphones and Instruments

**Brand:** behringer
**Price:** € 159.86
**Availability:** ✅ In Stock

## Summary

> 🎙️ Elevate your sound game — don’t just record, make history!

## Quick Answers

- **What is this?** UMC202HD Audiophile 2x2, 24-Bit/192 kHz USB Audio Interface with Midas Mic Preamplifiers | For Recording Microphones and Instruments by behringer
- **How much does it cost?** € 159.86 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.hr](https://www.desertcart.hr/products/47976888-umc202hd-audiophile-2x2-24-bit-192-khz-usb-audio-interface)

## Best For

- behringer enthusiasts

## Why This Product

- Trusted behringer brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Compact & Portable:** Sleek black design fits any professional setup, perfect for on-the-go creatives and home studios alike.
- • **Seamless Connectivity:** Plug-and-play USB 2.0 interface compatible with Mac & Windows for effortless setup and workflow.
- • **Latency-Free Monitoring:** Perform with confidence using zero-latency direct monitoring and dedicated headphone output controls.
- • **Versatile Input Options:** Dual combo XLR/TRS inputs handle microphones, instruments, and line-level sources with phantom power support.
- • **Studio-Grade Sound Quality:** Experience pristine audio with Midas-designed mic preamps trusted by top touring acts worldwide.

## Overview

The Behringer UMC202HD is a professional 2-in/2-out USB audio interface featuring premium Midas mic preamps and high-resolution 24-bit/192kHz converters. Designed for musicians and producers seeking studio-quality recordings on Mac or Windows, it offers versatile combo inputs, zero-latency monitoring, and phantom power support in a compact, portable chassis.

## Description

Free delivery and returns on eligible orders of £20 or more. Buy Behringer UMC202HD Audiophile 2x2, 24-Bit/192 kHz USB Audio Interface with Midas Mic Preamplifiers | For Recording Microphones and Instruments at desertcart UK.

Review: Plug in & go - Was given 50 vinyl records, but the deal was I had to convert them to digital mp3. Took a while, but very happy with results. Easy to set up & use. I downloaded the recommended Audacity app and away I went. Great little device & great price too.
Review: The Behringer UCA202 U Control simply gives great performance for the money - PS - 28 April 2014. In some of the reviews that I have read some of the correspondents have reported difficulty getting the Behringer UCA202 U Control to record in stereo and some are having difficulty adjusting the volume levels. Sometimes you have to adjust the sound settings in the control panel on a laptop or PC. You have to tell your computer to record in two channels instead of one for stereo. Go into the sounds window and select " Microphone 2 USB codec" with the device plugged in to a USB connexion. Select recording and advanced and set the device to 2 channel CD quality. I use Audacity software. You need to check that Audacity is recording in two channels for stereo recording rather than one channel for mono. You go into "Preferences" which is in the "Edit" menu and then set the USB recording device to stereo in the recording box. If you are having problems setting up the recording volumes then Audacity can be adjusted with the microphone slider which is on the tool bar. This works fine for me with a line level output from my amplifier - I do not use the phono pre-amp from my turntable kit when I record an LP or single. If this fails (or where you do not have a line output from your amp) you could try the headphone output which is usually located on the front of the amplifier. If you turn the amplifier volume control right down then it will attenuate the output level. Using a combination of the Audacity microphone slider and the headphone output you should be able to adjust the volume of the recording level to make sure the recording is loud enough but does not distort. In the view menu you can set Audacity to "show" clipping" . This will display a vertical red line on sections of the recording where the volume levels are too high and therefore the music will sound distorted - this is a very useful tool. I have never used a MAC PC but I would think that it has similar methods of controlling whether you record in stereo or not by using a sound control feature. I would guess that other types of recording software similar to Audacity need to be set up to record and playback in stereo or mono according to your choice. If the above does not work then you are faced with the possibility that some of your equipment is not working correctly from a physical point of view. You could check the connections have been fitted correctly or use alternative equipment to find out what has gone wrong. When set up correctly this product works really well; I am sure you will not be disappointed. Main text: I bought this brilliant device to "digitise" old LPs, which I buy in second hand shops, and archive old audio cassettes before they self destruct. I read all the reviews and I agree with most of them and decided to buy it even though it is of flimsy construction. It is not going to be used very often and I am careful with equipment so it should last years. It literally took me ten minutes to plug it into the line outputs of my amplifier and connect the device to a laptop, then cue up a Beatles 45 and digitise it with Audacity. Audacity is brilliant in my opinion and there is plenty of help text and Wikipedia information to get you going. I deleted the the Beatles 45 file as I just used it to test the recording levels. Next up was a Shadows LP "Rock on with the Shadows in Mono". Yes, you can buy this on CD but sometimes I like to play an ageing LP for old time's sake. I was pleasantly surprised with the results. I did not use Audacity to remove any surface noise from the record or clicks or pops; Hank's twanging drowns them out anyway. I played the digital recording back through the same amplifier and neither my wife nor I could hear any difference from the original: it sounded the same warts and all. At the end of the "first side" I felt compelled to jump up and turn the laptop er, record over. What more can I say about the sound quality? This was great stuff - the Shadows back in their 1960's glory, and you cannot damage the needle when you jive. One of the reviewers has complained about the the inability of the analogue converter to sample at 24 bit 96 KHz (24/96) as it is limited to 16 bit 48 KHz. This might affect you if you are mastering music and you want to keep the noise floor down when mixing lots of "takes". So, I take the point. For me, digitising old recordings at 16/44.1 or at red book CD standard is good enough. I fail to see how using a 24/96 sampling rate could improve the sound quality as I am only doing one "take". If you are only going to use this converter to digitise your records you can save yourself money and some disk space by buying this device. I have got plenty of external DACs, so I do not need to use this device for playback from a laptop or PC but I tested it just the same. The Toslink optical output works really well and so do the line outputs. The headphone amplifier is not so good but it is sufficient for my purposes. If you are on the road this device will probably perform better than your laptop's sound card or headphone output. The Behringer does not perform as well as the rinky dink DAC that I have got in my main HI-FI and I could not expect it to. But, it performs well compared to my other portable DACs. There is no Toslink input facility. Pros :- You can use a laptop for line output sources. You no longer have to use the line inputs of a desktop PC. You can connect it to a USB port on the front rather than fiddle about with connecting line outputs to the input connexions on the back of the PC. This is especially useful if your kit is under a desk. You can take your laptop to your HI-FI equipment rather than the other way round. There is no need to unplug your turntable or cassette player etc. and then plug it all back in again. It is small, very portable and very versatile - an ADC and DAC in one box! Cons: None really unless you are going to subject the device to hard and continuous use. In conclusion: Five stars for sonic performance and overall convenience; it is simply brilliant . But, it gets only three stars for build quality. The USB deck can now be given away.

## Features

- STUDIO IN A BLACK BOX: When it’s time to make recording history on your Mac or Windows computer, plug in microphones, instruments or line level sources to the UMC202HD’s 2 combination XLR/TRS inputs for the ultimate in studio flexibility!
- MIDAS - THE LEGEND IN SOUND QUALITY: Born in the 1970s, Midas has a long history of innovation in the world of audio mixing. Employed world-wide by the most famous touring acts, Midas consoles have become industry standards. Behringer is proud to incorporate a Midas-designed mic preamp for ultimate high-quality audio reproduction in both live and studio environments.
- “ZERO-LATENCY” MONITORING: The UMC202HD allows zero-latency direct monitoring, which means musicians can experience their performance clearly – with no delay or lag in the returning signal. Just press the Direct Monitor switch and enjoy the powerful phones output with its own level control and absolutely no audio delay.
- GETTING CONNECTED: On the rear panel of the UMC202HD, you’ll find the USB 2.0 port for simple and easy connection to your computer, along with ¼" TRS Output jacks and a +48V switch for providing phantom power to your condenser mics.
- EVERYTHING YOU NEED TO SOUND AMAZING: The U-PHORIA UMC202HD is a powerful 2 input, 2 output USB recording interface featuring genuine Midas-designed mic preamps with exceptional 24-Bit/192kHz high-resolution converters, designed to help your recordings and mixes sound their absolute best.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B00SAV0VP0 |
| Best Sellers Rank | 61 in Musical Instruments & DJ ( See Top 100 in Musical Instruments & DJ ) 3 in Computer Audio Interfaces |
| Colour | Black |
| Compatible Devices | Laptop, Personal Computer, Tablet |
| Country Produced In | china |
| Customer Reviews | 4.4 4.4 out of 5 stars (43,877) |
| Date First Available | 20 Jan. 2015 |
| Hardware Interface | USB |
| Item Weight | 540 g |
| Item model number | UMC202HD |
| Operating System | Windows, macOS |
| Product Dimensions | 25.2 x 15.8 x 8.8 cm; 540 g |
| Size | Einheitsgröße |
| Supported Software | Avid Pro Tools, Ableton Live, Steinberg Cubase |

## Product Details

- **Brand:** Behringer
- **Compatible devices:** Laptop, Personal Computer, Tablet
- **Connectivity technology:** USB
- **Number of channels:** 2
- **Supported software:** Avid Pro Tools, Ableton Live, Steinberg Cubase

## Images

![UMC202HD Audiophile 2x2, 24-Bit/192 kHz USB Audio Interface with Midas Mic Preamplifiers | For Recording Microphones and Instruments - Image 1](https://m.media-amazon.com/images/I/71DOAY7-JPL.jpg)

## Available Options

This product comes in different **Configuration, Pattern, Style** options.

## Questions & Answers

**Q: Should I get this or focusrite Scarlett?**
A: Bit late with the answer but my Focuswrite Scarlett broke down after 18 months and was 'uneconomical to repair'. This Behringer still going strong and I prefer it to the Focuswrite.

**Q: does it have a phatom power?**
A: YES! it has Phantom Power, as you can see the switch on the images!
It's the +48v switch

**Q: Can you plug a stereo jack into one on the inputs, and get a stereo output though usb, and the jack output's on the back?**
A: You could use a 'stereo jack socket to 2 x mono jack plug' lead and plug the two mono jacks into the two inputs. This would achieve your need.

**Q: Does this come with a wire to connect to a laptop or computer or do I have to buy these separately?**
A: Yes, it does come with a nice sturdy USB cable, but check carefully. It's hidden in the side of the box's inner packaging so I missed it completely until I saw the other answer!

## Customer Reviews

### ⭐⭐⭐⭐⭐ Plug in & go
*by S***N on 4 January 2026*

Was given 50 vinyl records, but the deal was I had to convert them to digital mp3. Took a while, but very happy with results. Easy to set up & use. I downloaded the recommended Audacity app and away I went. Great little device & great price too.

### ⭐⭐⭐⭐⭐ The Behringer UCA202 U Control simply gives great performance for the money
*by G***S on 8 April 2014*

PS - 28 April 2014. In some of the reviews that I have read some of the correspondents have reported difficulty getting the Behringer UCA202 U Control to record in stereo and some are having difficulty adjusting the volume levels. Sometimes you have to adjust the sound settings in the control panel on a laptop or PC. You have to tell your computer to record in two channels instead of one for stereo. Go into the sounds window and select " Microphone 2 USB codec" with the device plugged in to a USB connexion. Select recording and advanced and set the device to 2 channel CD quality. I use Audacity software. You need to check that Audacity is recording in two channels for stereo recording rather than one channel for mono. You go into "Preferences" which is in the "Edit" menu and then set the USB recording device to stereo in the recording box. If you are having problems setting up the recording volumes then Audacity can be adjusted with the microphone slider which is on the tool bar. This works fine for me with a line level output from my amplifier - I do not use the phono pre-amp from my turntable kit when I record an LP or single. If this fails (or where you do not have a line output from your amp) you could try the headphone output which is usually located on the front of the amplifier. If you turn the amplifier volume control right down then it will attenuate the output level. Using a combination of the Audacity microphone slider and the headphone output you should be able to adjust the volume of the recording level to make sure the recording is loud enough but does not distort. In the view menu you can set Audacity to "show" clipping" . This will display a vertical red line on sections of the recording where the volume levels are too high and therefore the music will sound distorted - this is a very useful tool. I have never used a MAC PC but I would think that it has similar methods of controlling whether you record in stereo or not by using a sound control feature. I would guess that other types of recording software similar to Audacity need to be set up to record and playback in stereo or mono according to your choice. If the above does not work then you are faced with the possibility that some of your equipment is not working correctly from a physical point of view. You could check the connections have been fitted correctly or use alternative equipment to find out what has gone wrong. When set up correctly this product works really well; I am sure you will not be disappointed. Main text: I bought this brilliant device to "digitise" old LPs, which I buy in second hand shops, and archive old audio cassettes before they self destruct. I read all the reviews and I agree with most of them and decided to buy it even though it is of flimsy construction. It is not going to be used very often and I am careful with equipment so it should last years. It literally took me ten minutes to plug it into the line outputs of my amplifier and connect the device to a laptop, then cue up a Beatles 45 and digitise it with Audacity. Audacity is brilliant in my opinion and there is plenty of help text and Wikipedia information to get you going. I deleted the the Beatles 45 file as I just used it to test the recording levels. Next up was a Shadows LP "Rock on with the Shadows in Mono". Yes, you can buy this on CD but sometimes I like to play an ageing LP for old time's sake. I was pleasantly surprised with the results. I did not use Audacity to remove any surface noise from the record or clicks or pops; Hank's twanging drowns them out anyway. I played the digital recording back through the same amplifier and neither my wife nor I could hear any difference from the original: it sounded the same warts and all. At the end of the "first side" I felt compelled to jump up and turn the laptop er, record over. What more can I say about the sound quality? This was great stuff - the Shadows back in their 1960's glory, and you cannot damage the needle when you jive. One of the reviewers has complained about the the inability of the analogue converter to sample at 24 bit 96 KHz (24/96) as it is limited to 16 bit 48 KHz. This might affect you if you are mastering music and you want to keep the noise floor down when mixing lots of "takes". So, I take the point. For me, digitising old recordings at 16/44.1 or at red book CD standard is good enough. I fail to see how using a 24/96 sampling rate could improve the sound quality as I am only doing one "take". If you are only going to use this converter to digitise your records you can save yourself money and some disk space by buying this device. I have got plenty of external DACs, so I do not need to use this device for playback from a laptop or PC but I tested it just the same. The Toslink optical output works really well and so do the line outputs. The headphone amplifier is not so good but it is sufficient for my purposes. If you are on the road this device will probably perform better than your laptop's sound card or headphone output. The Behringer does not perform as well as the rinky dink DAC that I have got in my main HI-FI and I could not expect it to. But, it performs well compared to my other portable DACs. There is no Toslink input facility. Pros :- You can use a laptop for line output sources. You no longer have to use the line inputs of a desktop PC. You can connect it to a USB port on the front rather than fiddle about with connecting line outputs to the input connexions on the back of the PC. This is especially useful if your kit is under a desk. You can take your laptop to your HI-FI equipment rather than the other way round. There is no need to unplug your turntable or cassette player etc. and then plug it all back in again. It is small, very portable and very versatile - an ADC and DAC in one box! Cons: None really unless you are going to subject the device to hard and continuous use. In conclusion: Five stars for sonic performance and overall convenience; it is simply brilliant . But, it gets only three stars for build quality. The USB deck can now be given away.

### ⭐⭐⭐⭐ Good for the money but not quite perfect.
*by M***O on 30 October 2015*

I have come back to PC music production after a while away and realised that Realtek chipsets on most motherboards, although better than they used to be,can't quite cut it, particularly in the latency department. I was loathed to spend £50+ on a proper pro sound card while I was tentatively returning to this hobby so this Behringer UCA202 seemed perfect. It arrived on time and well packed and straight out of the box its smaller than I expected, about the size of a cigarette packet. I plugged mine in a proper USB port (not a hub) and immediately installed and worked (Windows 8.1 and 10), no issues. A little light on the top tells you its on and you get the glow from the optical out too. I fed my 10 channel WharfdalePro mixer into it and connected it to the line in on my Logitech Z speakers. Not exactly a pro setup but entry level music making kit. I tested it with Cakewalk and Ableton and there was a noticeable improvement in latency when feeding stuff in and through the PC i.e. guitar and mic effects etc. Not 0 latency, in fact on my set-up probably still 10-20ms, I used the ASIO4ALL drivers which have mixed success with most people but they reported something like 11ms via Cakewalk. Previously I could achieve similar latency with my Realtek card but it would become unstable and break up and need resetting every 20mins. This didn't happen with the Behringer, it works flawlessly for hours on end and basically it does what I bought it for. Furthermore there's a little switch for monitoring directly so if you just want to echo the in to the out with 0 latency, you can do that but clearly it won't be going though any effects etc on the PC. I also played music from Google Play though the unit and I the is a noticeable improvement in clarity, so much so that I can actually hear stuff in the songs that I hadn't heard before and that is usually the mark of an great audio equipment. I listened through my Logitech speakers and some mid range over ear Sony headphones and in both cases the music was balanced and defined. If you're buying this only for music playback and don't care about music production, as most people will, its worth it for that alone. OK, so why the four stars...Well, I used this on headphones and it was superb, when I connected the line out to the Z speakers there was a noticeable whine, digital interference whine that alters when you move the mouse pointer or change stuff on the screen. That is very far from pro audio or high quality, it doesn't happen on my built in Realtek where I would expect more interference. Now this COULD be the crap cable I used or the positioning, I haven't tested it on ANYTHING else yet. I plan to test it on my proper AV unit in the lounge so I will report back if I notice any difference.

## Frequently Bought Together

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*Product available on Desertcart Croatia*
*Store origin: HR*
*Last updated: 2026-02-24*