---
product_id: 52805654
title: "Professional Acrylic Ink, Set of 6 x 30 ml Essential Colours"
brand: "liquitex"
price: "€ 67.84"
currency: EUR
in_stock: true
reviews_count: 13
category: "Liquitex"
url: https://www.desertcart.hr/products/52805654-professional-acrylic-ink-set-of-6-x-30-ml-essential
store_origin: HR
region: Croatia
---

# 6 vibrant essential colors Ultra-fluid acrylic ink Quick-drying & permanent Professional Acrylic Ink, Set of 6 x 30 ml Essential Colours

**Brand:** liquitex
**Price:** € 67.84
**Availability:** ✅ In Stock

## Summary

> 🎨 Elevate your art game with liquid color that won’t quit!

## Quick Answers

- **What is this?** Professional Acrylic Ink, Set of 6 x 30 ml Essential Colours by liquitex
- **How much does it cost?** € 67.84 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.hr](https://www.desertcart.hr/products/52805654-professional-acrylic-ink-set-of-6-x-30-ml-essential)

## Best For

- liquitex enthusiasts

## Why This Product

- Trusted liquitex brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Layer Without Limits:** Water-resistant when dry, allowing seamless layering and over-painting with no bleeding or muddying.
- • **Unmatched Versatility:** Compatible with acrylic paints, mediums, and surfaces from canvas to leather and plastics—create without limits.
- • **Ultra-Fluid Consistency:** Lowest viscosity acrylic ink perfect for airbrushing, calligraphy, pouring, and fine detail work.
- • **Pure, Permanent Pigments:** Artist-quality, lightfast pigments with zero fading or smudging—your colors stay vivid for decades.
- • **Curated Essential Palette:** Set of 6 x 30ml bottles including Carbon Black, Naphthol Crimson, Titanium White, Yellow Medium Azo, Transparent Raw Umber, and Phthalocyanine Blue Green Shade.

## Overview

Liquitex Professional Acrylic Ink Set delivers ultra-fluid, artist-grade pigments in six essential colors. Designed for fast drying, permanent, and water-resistant results, these inks offer unmatched versatility across multiple surfaces and techniques—from airbrushing to calligraphy. With high lightfastness and compatibility with other acrylic mediums, this set empowers creatives to produce vibrant, fade-proof artwork that stands the test of time.

## Description

From the manufacturer Liquitex Acrylic Inks Ultra-fluid acrylic with lightfast, artist-quality pigments. No dyes. No fade. Just pure, permanent colour. And like all acrylics, it dries quickly and permanently, with no smudging or bleeding when rewetted or layered. VERSATILE FORMAT COMPATIBLE Acrylic Ink, Acrylic Markers, Soft Body, Spray Paint... all acrylic, all very different, all 100% compatible with each other. Liquitex offers new ways to work with acrylics without risk of different formats flaking, fading, or muddying over time, allowing you to create with unmatched freedom. SMUDGE-FREE Liquitex Acrylic Inks are water-resistant and permanent when dry, unlike traditional dye-based inks. They have a fluid consistency for watercolour-like applications and effects, yet their permanence allows for over-painting without bleeding and layering without smudging or muddying the layers below. THE LIQUID ACRYLIC Liquitex Professional Acrylic Ink can be used in so many ways. Airbrushing? Pouring? Pen & ink? A sheer wash of color? As our lowest viscosity colour the ultra-fluid Acrylic Ink is perfect to use straight from the bottle, or mixed with one of our professional mediums for even more versatility. HIGH QUALITY FINE-ART PIGMENTS PURE PIGMENTS A fine art ink, made with fine art materials. Our pigments are processed using the latest basket bead-mill technology, where tiny reinforced ceramic beads give fine pigment dispersion. This produces high quality pigments with great colour purity, strength, and brightness in a fluid acrylic vehicle. ARCHIVAL The pigments in Acrylic Ink have passed extensive lightfastness tests. This means vibrant colours, with no shifting or fading over time. This comparison test shows how our pigment-based ink (top) and a traditional dye-based ink (bottom) react when exposed to light for the equivalent of 50-100 years. BROWSE GREAT VALUE SETS Essential Colours, Set of 6 x 30ml Iridescent Colours, Set of 6 x 30ml Muted Colours, Set of 6 x 30ml Primary Colours, 3 x 30ml & Pouring Medium 118ml Transparent Colours, Set of 3 x 30ml Deep Colours, 3 x 30ml & Pouring Medium 118ml Mix colours of varying transparency to create tints and pastels Set Includes - Carbon Black, Naphthol Crimson, Titanium White, Yellow Medium Azo, Transparent Raw Umber, Phthalocyanine Blue Green Shade Four metallics to give you a palette with maximum shine Set Includes - Iridescent Bright Silver, Iridescent Bright Gold, Iridescent Rich Bronze, Iridescent Rich Copper, Carbon Black, Titanium White Muted colours with a subtle character, together create a cohesive tonal palette Set Includes - Muted Violet, Muted Turquoise, Muted Pink, Muted Grey, Muted Green, Titanium White Developed for pouring effects and flow painting, with a primary colour palette Set Includes - Yellow Medium Azo, Quinacridone Magenta, Phthalocyanine Blue Green Shade, Professional Pouring Medium Three transparent earth colours - ideal for creating sheer stains, glazes and watercolour effects Set Includes - Transparent Raw Sienna, Transparent Burnt Sienna, Transparent Burnt Umber Developed for pouring effects and flow painting, with deep tones and iridescents for striking marbling Set Includes - Iridescent Bright Gold, Deep Violet, Turquoise Deep, Professional Pouring Medium Browse our carefully curated sets of Liquitex Professional Acrylic Ink colours. Whether you are looking for a gift, exploring a new medium, or restocking your supplies, these excellent sets are designed to inspire and aid exploration, and come out cheaper than individually purchasing the contents. EXPLORE ACRYLIC INK TECHNIQUES Wet on Wet Pouring Mixed Media Pen and Ink Splatter Airbrush Work wet in wet and experiment with highly pigmented, ultra-fluid Liquitex Acrylic Ink to create stunning unique art. Play with fluidity and absorbency, letting colours bleed and flow into each other. Use out the bottle or with Liquitex pouring medium to produce colourful acrylic pours. Experiment with pouring vibrant streams of ink, marbling pools of colour, or creating spiralling patterns. Acrylic ink can be used to for many applications, including colour washes, stamping, printing and painting fine details. A truly versatile medium which can be further adjusted with a Liquitex Medium. Liquitex Acrylic Ink is the ideal consistency for all pen and ink techniques - dip, quill or technical pens. Smooth flowing, quick drying and water-resistant once dry, without smudging or bleeding. Splatter this ultra-fluid ink to create unique paintings with explosions of colour. With highly pigmented inks, you don’t have to dilute your paint and sacrifice vibrancy to allow for a fluid medium. Use Liquitex Acrylic Ink for airbrushing straight out of the bottle, allowing you to paint shadows, transparency and subtle shading effects that are not easily replicated with traditional brushes. Liquitex Acrylic Ink can be used in so many ways! Wet on wet, Pouring, Pen & ink, Mixed Media, Airbrushing and more, use straight from the bottle or adjust with a professional medium. As our lowest viscosity color, the ultra-fluid formula is ideal for fine and flowing applications and techniques. DISCOVER LIQUITEX PROFESSIONAL FORMATS Acrylic Ink Soft Body Heavy Body Acrylic Gouache Spray Paint Paint Marker

Review: Extremely good acrylic paint - There is some argument as to what this product is. The company themselves refer to this as ink and paint, so what is it? Paint. Stick this into a fountain pen and try to write with it and you will wreck a perfectly good pen. It is not ink. It is very, very runny paint. So, enough of that hey? In general this is an excellent product. The pigment used in this and the other paints from Liquitex are good quality and hold their colour extremely well. The paint once applied dries quickly and is colourfast to a certain extent. It doesn't fade easily or quickly, which is what you would expect from a paint. Allowing that this is a very thin paint, it will soak in to absorbent surfaces, so using it on card or paper might require more care than canvas to prevent bleed through to other colours or distortion to the material used. As I didn't buy these for use in traditional art, I'll leave it there. My purpose for these paints is for use on models. Resin and plastic. The nature of these paints requires that you adopt a different technique when using them to paint - for instance - resin printed models. The liquid is very thin and spreads very easily. This means that you may need to use multiple coats to cover an area in the colour of choice. This is not so difficult to achieve. The paints are thin, translucent and apply very easily. Building up a colour layer is no more difficult than painting a surface, allowing it to dry and then painting over again with the same colour. Of course, it does require that you use a good quality acrylic primer first to coat the model for this paint to adhere properly to the material. You should avoid blobbing the paint onto a surface, and paint with even strokes in the same direction as much as possible. Thin coats at all times as the paint will build up into a strong colour covering the surface. The advantage of using thin translucent paint like this is that underlying details do not end up swamped by paint and filled or buried. It does however, mean that flaws and errors in painting will also be revealed. So, if you have a darker colour nearby that has spread over to an area where you wish to use a light colour, you will need to repair that with primer first before painting. One advantage to this, is that you can use priming to "pre-shadow" a model via what is commonly called 'Zenithal' - this is a simple process by which you coat the underside of a model with a darker coloured paint to create and overhead lighting effect. Too dark a coat and you will hide the colour you intend to use and the end result will simply look dull and uninteresting. So careful application and colour choice is essential to get the best here. This does mean however, that you can also use a dry-brush technique to pre-shade a model and then paint over that with this paint. Thereby achieving a shadowed effect on cloth folds or other details without the need for changing the tone and tint of the covering paint. Mixing this paint is essential, the pigment settles on the bottom of the bottle quite quickly separating from the carrying medium. So you may find you have to give the bottle a good shake every couple of minutes in order to maintain the colour. This applies to mixing the paints to make other colours as well. I find that a toothpick is more than adequate to agitate a pool of this paint if I combine them for other colours. The other thing to remember is to only use small amounts of this paint. Unless you are using a broad brush for broad strokes you will be wasting considerable amounts of paint. The dripper nozzle and rubber nipple work fine for most coarse purposes but it may be advisable if painting small areas, to simply use a drip from the pipette instead of using the nipple to suck paint into the applicator. These are rich, vibrant colours and provide excellent coverage, extremely good pigmentation and they mix easily to create different colours, tones and tints. This and other sets in the Liquitex range all supply the three primary colours - red, yellow and blue - from which the larger majority of other colours can be achieved. White and black allow you to change tone and tint for the paint creating new shades of your desired colour. It is important though that you are careful when mixing these paints. These can be used in an airbrush for large surface or primary coating purposes. Again, several layers are advised to get a strong colour and good finish to your paint work. They may need the addition of flow improver and airbrush thinner in order to facilitate use in an airbrush. This depends on the end result you wish to achieve, and the type of airbrush you are using. Also, it must be enforced, when using an airbrush with these paints you must wear a respirator. That applies to any other paint as well, do not make the mistake of thinking that because acrylics are water soluble that they are safe. No paint is safe to inhale. Always wear a respirator when using an airbrush. In summary, these are not cheap paints, the price is quite steep for what you get. But, they are excellent paints with a strong colour, vibrant results and a good colourfast result once dried. It takes a little bit of practice to get used to using these. Do not be put off by any initial results from the first coat which might not appear to have covered your subject. It has, but it might take more than one coat to show properly. Remember, these are pretty transparent when applied, so anything underneath will show through. In my opinion these are worth the money because they are high quality paints and work precisely as expected with excellent pigmentation and versatility. Your opinion may vary of course. I am not disappointed with this purchase, which arrived very quickly following ordering. They have already proven their value in my hobbies and I will get a great deal of use out of these.
Review: Fantastic set of inks - Been wanting to try out inks to compliment my normal paints for my miniature painting, these were highly recommended by many people. After using them a few times I can understand why they were recommended so much. The colours are vivid and flow beautifully. The pigments are incredibly strong and work fantastically for tinting minis or creating glazes/washes. The black makes a great substitute for Nuln Oil and the Raw Umber works well for a deeper Agrax Earthshade after mixing them in with some water, Matt medium and flow improver. Shame it didn’t include a magenta colour. Picked one up myself so I can mix my own colours using CMYK, as the set does include blue, yellow, white, and black.

## Features

- WHY INKS? - Ultra-fluid acrylic with lightfast, artist-quality pigments. No dyes. No fade. Just pure, permanent color. And like all acrylics, it dries quickly and permanently, with no smudging or bleeding when rewetted or layered. You get pure liquid color in a range of opacities
- COMPATIBLE - Inks can be used with Liquitex professional acrylic colours and mediums
- VERSATILE - Liquitex inks can be used on almost any painting surface, from paper and canvas to wood, leather, silk and plastics. They're ideal for creating blocks of colour or colour effects with a brush
- MULTIPURPOSE - Liquitex Professional Acrylic Inks have particularly low viscosity and pigmentation. They can be used for a variety of techniques such as calligraphy, watercolor painting, airbrush, screen printing, brushwork etc.
- SET INCLUDES - 6 x 30 ml Professional Acrylic Ink - Carbon Black, Naphthol Crimson, Titanium White, Yellow Medium Azo, Transparent Raw Umber, Phthalocyanine Blue Green Shade

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B071WQ9VC4 |
| Best Sellers Rank | 70,600 in Home & Kitchen ( See Top 100 in Home & Kitchen ) 416 in Paints |
| Brand | Liquitex |
| Brand Name | Liquitex |
| Container Type | Bottle |
| Country Of Origin | United Kingdom |
| Customer Reviews | 4.7 out of 5 stars 1,589 Reviews |
| Global Trade Identification Number | 00887452997481 |
| Included Components | brush |
| Ink Colour | Carbon Black, Naphthol Crimson, Titanium White, Yellow Medium Azo, Transparent Raw Umber, Phthalocyanine Blue Green Shade |
| Item Type Name | Professional Acrylic Ink - Essentials |
| Item Volume | 30 Millilitres |
| Item Weight | 0.2 Kilograms |
| Item volume | 30 Millilitres |
| Manufacturer | Liquitex |
| Manufacturer Part Number | 3699314 |
| Model Number | 3699314 |
| Number of Items | 1 |
| Package information | Bottle |
| Paint Type | Acrylic |
| Paint type | Acrylic |
| UPC | 887452997481 |
| Unit Count | 1.0 millilitre |

## Product Details

- **Brand:** Liquitex
- **Global Trade Identification Number:** 00887452997481
- **Item volume:** 30 Millilitres
- **Package information:** Bottle
- **Paint type:** Acrylic

## Images

![Professional Acrylic Ink, Set of 6 x 30 ml Essential Colours - Image 1](https://m.media-amazon.com/images/I/71eOwwq0p7L.jpg)
![Professional Acrylic Ink, Set of 6 x 30 ml Essential Colours - Image 2](https://m.media-amazon.com/images/I/816GWA691ML.jpg)
![Professional Acrylic Ink, Set of 6 x 30 ml Essential Colours - Image 3](https://m.media-amazon.com/images/I/71hl4trL82L.jpg)
![Professional Acrylic Ink, Set of 6 x 30 ml Essential Colours - Image 4](https://m.media-amazon.com/images/I/61A4mBf58HL.jpg)
![Professional Acrylic Ink, Set of 6 x 30 ml Essential Colours - Image 5](https://m.media-amazon.com/images/I/81s2YXmaP1L.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Extremely good acrylic paint
*by P***E on 31 December 2023*

There is some argument as to what this product is. The company themselves refer to this as ink and paint, so what is it? Paint. Stick this into a fountain pen and try to write with it and you will wreck a perfectly good pen. It is not ink. It is very, very runny paint. So, enough of that hey? In general this is an excellent product. The pigment used in this and the other paints from Liquitex are good quality and hold their colour extremely well. The paint once applied dries quickly and is colourfast to a certain extent. It doesn't fade easily or quickly, which is what you would expect from a paint. Allowing that this is a very thin paint, it will soak in to absorbent surfaces, so using it on card or paper might require more care than canvas to prevent bleed through to other colours or distortion to the material used. As I didn't buy these for use in traditional art, I'll leave it there. My purpose for these paints is for use on models. Resin and plastic. The nature of these paints requires that you adopt a different technique when using them to paint - for instance - resin printed models. The liquid is very thin and spreads very easily. This means that you may need to use multiple coats to cover an area in the colour of choice. This is not so difficult to achieve. The paints are thin, translucent and apply very easily. Building up a colour layer is no more difficult than painting a surface, allowing it to dry and then painting over again with the same colour. Of course, it does require that you use a good quality acrylic primer first to coat the model for this paint to adhere properly to the material. You should avoid blobbing the paint onto a surface, and paint with even strokes in the same direction as much as possible. Thin coats at all times as the paint will build up into a strong colour covering the surface. The advantage of using thin translucent paint like this is that underlying details do not end up swamped by paint and filled or buried. It does however, mean that flaws and errors in painting will also be revealed. So, if you have a darker colour nearby that has spread over to an area where you wish to use a light colour, you will need to repair that with primer first before painting. One advantage to this, is that you can use priming to "pre-shadow" a model via what is commonly called 'Zenithal' - this is a simple process by which you coat the underside of a model with a darker coloured paint to create and overhead lighting effect. Too dark a coat and you will hide the colour you intend to use and the end result will simply look dull and uninteresting. So careful application and colour choice is essential to get the best here. This does mean however, that you can also use a dry-brush technique to pre-shade a model and then paint over that with this paint. Thereby achieving a shadowed effect on cloth folds or other details without the need for changing the tone and tint of the covering paint. Mixing this paint is essential, the pigment settles on the bottom of the bottle quite quickly separating from the carrying medium. So you may find you have to give the bottle a good shake every couple of minutes in order to maintain the colour. This applies to mixing the paints to make other colours as well. I find that a toothpick is more than adequate to agitate a pool of this paint if I combine them for other colours. The other thing to remember is to only use small amounts of this paint. Unless you are using a broad brush for broad strokes you will be wasting considerable amounts of paint. The dripper nozzle and rubber nipple work fine for most coarse purposes but it may be advisable if painting small areas, to simply use a drip from the pipette instead of using the nipple to suck paint into the applicator. These are rich, vibrant colours and provide excellent coverage, extremely good pigmentation and they mix easily to create different colours, tones and tints. This and other sets in the Liquitex range all supply the three primary colours - red, yellow and blue - from which the larger majority of other colours can be achieved. White and black allow you to change tone and tint for the paint creating new shades of your desired colour. It is important though that you are careful when mixing these paints. These can be used in an airbrush for large surface or primary coating purposes. Again, several layers are advised to get a strong colour and good finish to your paint work. They may need the addition of flow improver and airbrush thinner in order to facilitate use in an airbrush. This depends on the end result you wish to achieve, and the type of airbrush you are using. Also, it must be enforced, when using an airbrush with these paints you must wear a respirator. That applies to any other paint as well, do not make the mistake of thinking that because acrylics are water soluble that they are safe. No paint is safe to inhale. Always wear a respirator when using an airbrush. In summary, these are not cheap paints, the price is quite steep for what you get. But, they are excellent paints with a strong colour, vibrant results and a good colourfast result once dried. It takes a little bit of practice to get used to using these. Do not be put off by any initial results from the first coat which might not appear to have covered your subject. It has, but it might take more than one coat to show properly. Remember, these are pretty transparent when applied, so anything underneath will show through. In my opinion these are worth the money because they are high quality paints and work precisely as expected with excellent pigmentation and versatility. Your opinion may vary of course. I am not disappointed with this purchase, which arrived very quickly following ordering. They have already proven their value in my hobbies and I will get a great deal of use out of these.

### ⭐⭐⭐⭐⭐ Fantastic set of inks
*by L***N on 20 February 2024*

Been wanting to try out inks to compliment my normal paints for my miniature painting, these were highly recommended by many people. After using them a few times I can understand why they were recommended so much. The colours are vivid and flow beautifully. The pigments are incredibly strong and work fantastically for tinting minis or creating glazes/washes. The black makes a great substitute for Nuln Oil and the Raw Umber works well for a deeper Agrax Earthshade after mixing them in with some water, Matt medium and flow improver. Shame it didn’t include a magenta colour. Picked one up myself so I can mix my own colours using CMYK, as the set does include blue, yellow, white, and black.

### ⭐⭐⭐⭐ Very good quality inks, but the set strangely CRY(K) and not CMY(K)
*by A***C on 30 January 2026*

Very good quality inks, but some very odd decisions in what inks goes into the set. The set seems like it should be perfect for CMY(K) colour mixing. It includes the perfect pigments for cyan (Phthalocyanine Blue Green Shade) and yellow (Yellow Medium Azo), but instead of including magenta it includes a true red (Naphthol Crimson). This really limits the colour gamut that can be created an feels like a missed opportunity. The ideal magenta to add is "quinacridone magenta" which I bought separately. If you want to mix a true red you can just add 1 part M (quinacridone magenta) to 3 parts Y (Yellow Medium Azo), so I don't understand why they chose to include the read rather than magenta. It feels like a missed opportunity to make the perfect CMY(K) set, instead they opted for CRY(K) which really limits what is possible.

## Frequently Bought Together

- Liquitex Professional Acrylic Ink, 1-oz (30ml), Essential Color Set, Set of 6
- Liquitex Professional Acrylic Ink, 1-oz (30ml) Jar, Quinacridone Magenta
- Liquitex Professional Effects Medium, 118ml (4-oz), Flow Aid

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*Product available on Desertcart Croatia*
*Store origin: HR*
*Last updated: 2026-06-19*