---
product_id: 8732950
title: "Spook Country (Blue Ant) Paperback – March 3, 2009"
brand: "william gibson"
price: "€ 18.15"
currency: EUR
in_stock: true
reviews_count: 7
url: https://www.desertcart.hr/products/8732950-spook-country-blue-ant-paperback-march-3-2009
store_origin: HR
region: Croatia
---

# Spook Country (Blue Ant) Paperback – March 3, 2009

**Brand:** william gibson
**Price:** € 18.15
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Spook Country (Blue Ant) Paperback – March 3, 2009 by william gibson
- **How much does it cost?** € 18.15 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.hr](https://www.desertcart.hr/products/8732950-spook-country-blue-ant-paperback-march-3-2009)

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- william gibson enthusiasts

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## Description

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## Images

![Spook Country (Blue Ant) Paperback – March 3, 2009 - Image 1](https://m.media-amazon.com/images/I/61AAeGH3QTL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    Not what I expected, better really.
  

*by M***E on Reviewed in the United States on September 17, 2007*

Spook Country is the follow up to Pattern Recognition only so much as it takes place in the same world. If you came to the novel expecting more of the same, then you came to the wrong place. But if all you want is more of the same, why read any of Gibson's novels? Not that Pattern Recognition wasn't brilliant and fun (which it was both in spades), but Spook Country resonates with our reality a little more than PR did. Whereas PR allowed you to escape a little from the real world, Spook Country slams you head first into the windscreen of the now, and as unsettling, confusing and very often trivial as our real world has become, so are the events of the novel.The prose is typical Gibson, beautifully contrived and laced with a staggering breadth of pop and not-so-pop cultural knowledge. The story switches between three primary characters and the transitions in these context switches are  for the most part  handled very well, hardly missing a beat. Particularly striking are the chapters which cover the same sequence of events from differing viewpoints and manage to do so with perfect rhythm. There are shades of Neal Stephenson beginning to show in the book in the way Gibson handles these transitions -- in a good way.I won't spoil it for you, but the story is not Good Spy vs. Bad Spy. If it were, it wouldn't be Gibson. Those who feel lost in the story, or wish that the conclusion were more clearly drawn have missed the point of the book. This is about today. This book represents, in narrative, the situation we all find ourselves in post 9/11. None of us really know what's going on. The people running what's going on don't know what's really going on anymore. It's too large, too complicated, too organic for any of us to comprehend anymore. The world stopped making sense some time ago, and we ignored that fact until the fears of 9/11 made us aware of it. This book is about the human reaction to the human-made and yet completely unknowable world that is emerging around us.It is simply brilliant, and the most fun I've had with a novel since Pattern Recognition.

### ⭐⭐⭐⭐ 4.0 out of 5 stars







  
  
    Not Gibson's best, but...
  

*by A***D on Reviewed in the United States on June 30, 2008*

Spook CountryWilliam GibsonPenguin/VikingWilliam Gibson is justifiably renowned as one of the key founders of the now vast realm of cyberpunk. His 1986 novel Neuromancer was a foundation stone for a new style of futuristic fiction; high tech but gritty. The opening line of the novel said it all: "The sky above the port was the colour of television tuned to a dead channel."In Gibson's world voodoo met with artificial intelligence. It was a dark realm of worrisome virtual realities. It was a soaring burst of imagination that, at the time, had no equivalent.Since that time Gibson has gradually been re-inventing himself, coming closer to the present day with each book. His latest, Spook Country, is very much placed in the here and now, resonant with references to 9/11, the Iraq war and corruption within the current American administration. At heart it is a thriller, without the flourishes of remarkable futurism that marked Gibson's earlier works and as such it will be a disappointment to those hoping for the surreal leaps of vision in his earlier works. But Spook Country remains resolutely a Gibson book, replete with references to the gods and goddesses of voodoo belief. Here the iPod meets the goddess Ochun and a drug called RIZE clashes with the muscular, athletic god Oshosi.The promotional blurb for Spook Country claims that the novel is "J.G. Ballard meets John Le Carré", but the novel is far too American for it to fit into such a bizarre English context. One suspects that the Canadian-born Gibson is more influenced by the paranoiac sci-fi of Philip K. Dick and the stylistic tropes of Raymond Chandler, both denizens of Los Angeles where much of the novel is set.Sense of place is a major aspect of Spook Country. Elements of LA and New York City are captured brilliantly. As one of the key protagonists, the youthful Cuban exile Tito, sprints through Canal Street in New York one can envisage the setting immediately. But although this is New York post-9/11 - a fact that is central to the story - Gibson fails to capture the sense of displacement many New Yorkers still feel, a sensation rendered palpable in Don DeLillo's latest novel, Falling Man.Like DeLillo, Gibson uses an artist as one of his triggers to get the action rolling, in this case an artist who uses a kind of virtual reality recreation of past events such as the death of River Pheonix. The artwork is the ostensible subject of a feature story for a not-yet existent magazine called Node to be written by a former indie-rock singer Hollis Henry. It rapidly becomes apparent that Node will probably never exist and its' supposed publisher is seeking something else entirely. Running parallel to this story are the mysterious goings on of a group of Cubans, especially the athletic Tito who summons the aid of Ochun and Oshosi when necessary, a CIA-type thug and a drug addled character called Milgrim.Central to the book is the `producer' Bobby Chombo, a paranoid and reclusive troubleshooter for manufacturers of military navigation equipment who refuses to sleep in the same place twice. Hollis Henry has been told by her editor to find him but not told why.With his sprawling matrix of characters the narrative moves along at break-neck pace. Mis-information transfer run by the Cubans - often via i-Pod - constantly misleads shadow-agents of the government. Also central is the fortune of American cash set aside to help re-build Iraq that has been pirated away for other, unspecified, but clearly corrupt, uses.At times Gibson's narrative soars, at others it is dogged down by slightly lame character development. It is ideal Winter reading but fails to claim anything like the cultural potency of Neuromancer.

### ⭐⭐⭐⭐ 







  
  
    Phew! buckle on your paranoia boots, and enjoy!
  

*by I***R on Reviewed in France on July 18, 2017*

Like so many of William Gibson's novels, you need to really pay attention during the first 50 pages. The characters arrive in a blizzard and the plot elements need careful watching or they'll fade from your memory (mine, at least) before the framework is completed. But it's a very good story, one which reminds the reader that Gibson possesses a world class imagination to go with his wonderful ability to craft memorable, affecting characters.Don't miss it.

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*Product available on Desertcart Croatia*
*Store origin: HR*
*Last updated: 2026-06-04*