The Meaning of Consuelo: A Novel
L**T
Engrossing, suspenseful, and devastating
The Meaning of Consuelo is Judith Ortiz Cofer’s first young adult novel. It won the 2003 Américas Award and was included on the New York Public Library’s “Books for the Teen Age 2004 List.”It is set in the 1950s, in San Juan, Puerto Rico. The time period is evoked in the conservative social views and in the unquestioning obedience children are expected to give to their parents. Mami is described as speaking like the Pope, with infallibility. Also evoking the 50s is the consumerism of household appliances meant to make life simpler. There is a passage about the family’s vacuum cleaner. Papi, in his enthusiasm for new gadgets, buys it from a door-to-door salesman, even though their house of ceramic tiles has no need of it. Mami uses it anyway, on a small rug, to please him. The senselessness of this is both funny and sad.The novel begins when Consuelo is eight and ends when she is a teenager. The first character we meet is actually the neighbor Maria Sereno, who was born as Mario. Maria is an outrageous, highly sexual, and thoroughly enjoyable character. He (the book refers to Maria as “he”) embodies the term fulano, which is a major theme of the novel. The women hire Maria to do their nails, but only if their husbands are away, and he must use the back door. They ignore him in public. This is confusing to Consuelo and her sister Mili, who don’t yet understand the dualities of adults. Maria is not a major character in the story, in that he only appears now and then. But his outsider status is illustrative of the closed-mindedness of the community. When at the end of the book we glimpse a ray of hope for Maria, we find hope for this whole world.Consuelo is the designated caretaker for Mili, who is four years younger. Mili, a “Puerto Rican Shirley Temple,” is a lively, imaginative character and we understand why the family is protective of her. Mili lives in her own world, is often unaware of her surroundings, and can wander off. Her behavior becomes more and more concerning and we feel the real pain of her parents, who don’t know what is wrong or how to care for her. When they are told she may have psychological problems, Papi doesn’t want to discuss the possibility. Ortiz Cofer hints throughout at a coming tragedia, which is tied to Mili. This builds an ominous feeling, a feeling which is justified when, indeed, a tragedy strikes this fragile family. Consuelo has been typecast as the doting daughter, the responsible one, the one who will sacrifice herself. But that is not the life she chose and she risks becoming a fulana herself as she tries to assert her independence.Her cousin Patricio is another fulano. He is Consuelo’s only playmate, aside from her sister. They play with puppets Patricio makes. I loved reading about how they enact scenes at the hotel where Papi works, some puppets playing the roles of annoyed American tourists. The family begins to shun Patricio when they discover he is gay. When his father takes him to New York for a fresh start, we are happy to see him escape this stifling atmosphere. But Consuelo grieves at being left behind.Her home life is not harmonious. Papi craves an American lifestyle, but Mami does not share his admiration for all things American. Abuelo, Mami’s father, is an outspoken critic of the U.S. and vigilant about maintaining the culture of the island. Consuelo immerses herself in his library, which is filled with Puerto Rican literature and history. The Americanization of the island looms like a threat or a promise, depending on your viewpoint, as does Papi’s desire to move the family to New York.This novel has a more literary tone than some of Judith Ortiz Cofer’s other young adult books. It’s marked by both elegance and solemnity. There is a great sense of loss here. The loss of a way of life, and the loss of a family. This is my favorite of her books and the one I would most recommend to adults. Engrossing, suspenseful, and devastating, Consuelo’s story is both an immersion into one Puerto Rican family and a timeless coming-of-age tale.
G**S
Disappointed
Fast delivery, book was completely destroyed. Very disappointing
P**N
Five Stars
Great story!
F**Z
Five Stars
good
V**R
Using the Meaning of Consuelo in the Classroom
In reflecting on The Meaning of Consuelo, Julia Alvarez expresses what one finds at the heart of the book that makes it both beautiful and sad at the same time: “A bittersweet tale of the price one pays to re-invent the story handed down by one’s antepasados and familia. Consuelo is both herself and every mujer, and her story her own and that of her island, torn between self-discovery and safety.”It’s not a light read. How could it be? From the very first chapter, we realize that what follows is the unfolding of la tragedia that would forever change Consuelo and her family. The novel tackles a number of difficult themes such as mental illness, sexuality, gender, rejection, poverty, independence, tradition, and progress. Like many other books we’ve featured, this is a coming-of-age story. Our protagonist, Consuelo, struggles for the right to define herself at the same time that she grapples with the mental illness of her sister, society’s rejection of her gay cousin, and the growing tensions between the traditional Puerto Rican culture of gente decente and the increasing influence of progressive America.I think it’s fairly safe to say that Consuelo’s family is a dysfunctional one. Her family fails to successfully handle the homosexuality of her cousin Patricio, or the mental illness of her sister Mili. The family appears unable to accept either situation, as these are not issues of gente decente. In different ways, the family loses both Patricio and Mili as a result of the decisions they make. This isn’t to say that the family is ‘all bad.’ We all know that families are complex, and they come with both the good and the bad. Tempered by the expectations of what it means to be a mujer decente, Mami’s family is one with a history of strong women. Surprisingly, it is Mami’s mother, Abuela, who is the most explicit in her support of progress toward gender equality. While she may cling to the traditions of past generations of women, she does embrace the technological progress that made life easier for women: “She then vowed to invest in every product that allowed her the luxury she had never had as a wife and mother—time for herself” (p. 26). To a certain degree, it’s painful to watch Consuelo’s relationship with her parents unfold as she ages. To her parents, Consuelo is the strong, dependable, serious child who needs little parenting or attention, and as a result, little love. She is certainly strong, but it is troubling to watch as she struggles through her teenage years not only alone, but also responsible for her mentally ill younger sister. As many of our students may also have to deal with equally complex family dynamics or feelings of isolation, the novel creates the space to connect those experiences to classroom learning and discussion.There’s something difficult about watching Consuelo come-of-age on her own, with little support from her parents, but there’s also something empowering in seeing Consuelo decide for herself how she will be defined. The idea of being the outsider, el fulano or la fulana, is an important one in the story. At the beginning of the novel it’s used as a means to separate the gente decente from others; it’s a way to enforce the economic and social stratification of society. Both Consuelo and the reader are introduced to the complicated notion of the outsider through the neighborhood transvestite. He’s good enough to come through the backdoors to do manicures, but must be completely ignored if seen out in public. But by the end of the novel, something changes, at least for Consuelo. She’s realized that there is a certain power in embracing the idea of la fulana. Shunned for the choices she makes with her boyfriend, Consuelo accepts the role of la fulana, and is empowered in doing so. By refusing to play the role of the shamed fulana, Consuelo’s peers find they have little power over her. Other reviews have called Consuelo “gritty and brave.” I agree. Here is a protagonist that suffers through experiences that many of our students may be all too familiar with. She survives, and on her own terms. She chooses how she will define herself, not limiting herself to the traditions of her family or her society. This is the takeaway, the real lesson we want all of our students to master.Our free educator’s guide is available on our wordpress blog Vamos a Leer.
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