Russian rural women have been depicted as victims of oppressive patriarchy, celebrated as symbols of inherent female strength, and extolled as the original source of a great world culture. Throughout the years of collectivization, industrialization, and World War II, women played major roles in the evolution of the Russian village. But how do they see themselves? What do their stories, songs, and customs reveal about their values, desires, and motivations? Based upon nearly three decades of fieldwork, from 1983 to 2010, The Worlds of Russian Rural Women follows three generations of Russian women and shows how they alternately preserve, discard, and rework the cultural traditions of their forebears to suit changing needs and self-conceptions. In a major contribution to the study of folklore, Laura J. Olson and Svetlana Adonyeva document the ways that women's tales of traditional practices associated with marriage, childbirth, and death reflect both upholding and transgression of social norms. Their romance songs, satirical ditties, and healing and harmful magic reveal the complexity of power relations in the Russian villages.Table of Contents:Introduction: Tradition, Transgression, Compromise1 Traditions of Patriarchy and the Missing Female Voice in Russian Folklore Scholarship2 Age and Gender Status and Identity: Structure and History3 Subjectivity and the Relational Self in Russian Village Women's Stories of Courtship and Marriage4 The Pleasure, Power, and Nostalgia of Melodrama: Twentieth-Century Singing Traditions and Women's Identity Construction5 Transgression as Communicative Act: Rural Women's Chastushki6 Magical Forces and the Symbolic Resources of Motherhood7 Magic, Control, and Social Roles8 Constructing Identity in Stories of the Other World9 Death, the Dead, and Memory-KeepersConclusion
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