Review "The verbal energy that pours off these pages is enough to transform the hell of places like Times Square into a roughhewn heaven, neon lit and open all night. The history of Broadway has been written before but never better...Overflowing with voluble "animal spirits," it is a feast for anyone who loves good stories. The only thing wrong with it is, it isn't longer." (Newsweek)"Not since Damon Runyon wrote his fables of Harry the Horse, Sleepout Sam Levinksy and Lone Louie, has Broadway had a chronicler to do justice to its picaresque excess...The Heart of the World is a walk up Broadway, an imaginative leap into its past and its present. Runyon wrote fiction based loosely on fact. Cohn writes fact with the vividly colourful brush-stroke of fiction" (Sunday Telegraph)"Cohn's walk up Broadway is a fascinating trip for, though the Great White Way has fallen on desperate times, he manages to fit in a lot of the street's history along with his vivid stories about its sleaze-ridden present. His style is electric, crackling with one-liners" (Sunday Times)"A kind of day trip through an X-rated Disneyland, full of hucksterism and magic and tawdry, hard-luck scenes...Cohn weaves a story retrieved from all the histories of New York: the tales of Wall Street and ward-boss politics, of theater and finery and sex, money, power." (Boston Globe)"Here comes everybody, a cavalcade of misfits, each their own short story, and Cohn in the role of recording angel" (Independent) About the Author Nik Cohn was brought up in Derry, Northern Ireland. His books include I Am Still the Greatest Says Johnny Angelo, Ball the Wall, The Heart of the World, Need and Triksta: Life and Death and New Orleans Rap. He also wrote the story that gave rise to Saturday Night Fever and collaborated on Rock Dreams and Twentieth Century Dreams with the artist Guy Peellaert. He lives in New York.
R**L
Sad Stories and Tall Tales
The fascination of Broadway is difficult for this (British) reader to understand but clearly this (British) author desparately wants to understand it. His journey down the Great White Way takes in a a whole host of unlikely and unlikeable characters who all have a story to tell (or else they don't get in the book presumably). Cohn has a fondness for these wise guys, show girls, trannies, druggies and refugees and that shows through all the wise-ass writing. There are some great lines in these pages and even some of the cameos have great pathos.It lacks any real structure but has a chaos about it which you might think was designed to imitate the area it describes. Written pre-Giuliani I doubt if it will act as any sort of reliable Travel guide but an interesting take on the history of the area.
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