36LEDs RGB Stage Lights 2Pack: 36W LED Par - Sound Activated Remote & DMX Control - Corded Electric Uplights for Events Wedding Party Club Band Music Dance DJ Live Show Church Lighting

The lights are well-built, easy to set up, and conveniently controlled by a remote. Dimming and color presets (red, green, blue, rose, amber, cyan, white) work effectively, as do "Jump" (rapid color switch) and "Gradual" (smooth transition) modes. This versatile product offers significant value. A DMX setup is also an option. Pros: - Solidly built - Surprisingly bright - Easy to set up - Effective dimming function - Convenient remote control for quick adjustments - Versatile for multiple applications - Affordable Cons: - No power linking meaning you have to make sure you have access to power for each fixture - Slightly louder fan than others but not an issue

Overall for the cost, these lights are great. The packaging they arrived in were nice and professional. I had no problems using or programming the lights using MyDMX3.0 software from ADJ. I was also able to use a couple of the lights in manual mode and control them with the remote, which also worked fine - only comment with the remote is the directivity of the IR LED is pretty wide, meaning it might control more than one light at a time if you don't directly point at the one you are trying to control closely. As for the build quality, everything is plastic, minus the mounting bracket. The mounting bracket is pretty thin and flexible, as most other reviews indicate. But, for the price of the lights, that was expected and doesn't really affect their performance. I do wish the lights had IEC cables rather than a built in plug - makes it easier to mount and rig because you can use different length IEC cables rather than a bunch of extension cords. Additionally, if there was an IN and OUT for power on these, that would make stringing them together much easier was well. As for the performance of the lights, I was slightly disappointed with the color of the LEDs. All of the colors seem to be off slightly - for example, the red channel looks more orange than red. I was having a difficult time trying to get nice, deep, dark colors out of these lights; but again, for the price, they were still good. They are very bright, as other reviews also indicated. The beam angle of these is very tight and directive though, I may look into some kind of diffuser for these in the future because of that. I used these lights along with some others inside and outside for a pool party I hosted. I had 6 of the pars mounted outside under a deck in the summer with ~85 degree F weather for the day. They were running from about 2:00pm until 12:00am with no issues at all. I have also used them a few other times since then and have not had any problems either. I would recommend these lights to anyone looking for some lights for a party, or decorations, or even photography (which is on my list to try).

I bought one of these YEESITE lights to test (with no DMX controller) and the results are impressive! It's from China, contains 36 1-watt LEDs, and is VERY bright (more of a 'spotlight' than a 'wash', though). All the various functions and buttons work well, as does the remote control (and you get two of them!) The plastic housing is sturdy, although the hanging brackets are made of thin easily-bent metal, as has been mentioned elsewhere. The internal fan is so quiet as to be almost silent! The instruction booklet is surprisingly detailed and clear. Even the box looks professional, not 'generic', and all the individual items are well-packed. YEESITE is obviously serious about selling a good product. (By the way: Don't forget to remove the little paper 'tab' from the remote control; it's there to keep the replaceable battery in 'new' condition until you use it. And you can stick the tab back in again, when the remote isn't being used.) Here are some details that are not mentioned in the booklet; but don't let my comments throw you off-- this is a really nice, feature-packed light, at a low cost. I plan to buy more... R-G-B 'static' color-mixing can only be done on the light itself (or via DMX), not with the remote control. The remote has 'basic' functions, with only seven pre-set colors, but they *can* be faded up or down. The remote's functions are... ON/OFF DMX on/off pure RED pure GREEN pure BLUE ROSE AMBER (which is not too accurate, in my opinion) CYAN WHITE STROBE (always full-brightness white, with adjustable speed) SOUND FADE (smooth transitions through the seven different colors; adjustable fade speed) JUMP (sharp transitions through the seven different colors; all fully on; adjustable speed) AUTO (which is like a 'demo' of *all* the presets) It seems that the remote accesses a slightly different set of programmed instructions compared to the light's-- the main one being an ON/OFF switch on the remote. Once turned OFF this way, the light's own rear buttons no longer function (and there's no dedicated ON/OFF switch or button on the light itself.) The light can be turned ON again only by using the remote, or by unplugging the light to reset it. There is a slightly noticible visual 'stepping' effect when dimming, more pronounced when using the remote (although I don't know if this happens when using a DMX controller.) It's more apparent at lower brightness levels. Fading of the individual RGB colors occurs over a number of discrete 'steps'-- how many depends on: using the remote: 32 brightness steps. using the buttons on the light: 255 steps (although RED seems to step through only about 100 individual increments, spread over the 255 'range'... perhaps to get a more visually-pleasing mix). The LED color-ON thresholds (using the light's own 0 -to-255 ranges) are: RED-- 10 (NOT 1-- due to manufacturing tolerances?) GREEN-- 1 BLUE-- 2 So if you choose to create a WHITE color (all RGB colors set to 255), then decide to fade that out to nothing, the RED-color LEDs cut out slightly before the GREEN and BLUE...but I don't think most people would notice this. Most of the visual change in brightness occurs at the 'lower end' of dimming; the upper end seems to show far less of a brightness change. Perhaps that's simply how our eyes react to it, but I think the individual RGB brightness 'steps' need to be programmed better. In any case, it's a minor quibble for me. There IS some obvious color-banding in the shadows from this light; but that's to be expected from ANY light that uses individual red, green and blue LEDS spread over a circle. That's because all the colors are not coming from a single 'point.' If this is a problem, a light with lots of smaller LEDS would be better...or, to eliminate the color-banding altogether, a light with TRI-color LEDs (each LED producing all colors.) But those lights are more expensive. ;-) The STROBE function is something I will probably not use-- but it has a minor quirky problem with the remote control. When the strobe 'speed' is set very fast, all of the buttons on the remote suddenly fail to work! (This doesn't happen below about 90% of the fastest speed.) My own opinion is that the *fast*-strobing light is interfering somehow with the remote's infrared control signal (or with the IR receiver on the light itself.) But if this happens, it's easily fixed with the light's own buttons, to slow down the strobe speed a bit; then the remote will function again. Saving the settings in memory (before unplugging the light): When using the REMOTE, the light remembers the last setting, and comes back on in whatever mode it was last set to. But when setting the parameters on the light itself, things are somewhat different: For all modes *except* the R-G-B static color-mix mode, the ENTER button saves that program mode-- and it comes back up when you plug the light back in. And, the light does remember the individual color settings in R-G-B color-mix mode-- but there's no way to actually 'save' those as a saved 'program'-- the ENTER button is used for something else in this case. So, when plugging the light back in, the mode that comes back up may or may not be the RGB mix, if that's what you were previously using. (Honestly, I haven't completely made sense of this yet.) I haven't worked with DMX commands, so I can't comment-- except to mention that the the light's DMX channel assignments are: Channel 1-- master dimming (for overall dimming?) Channel 2-- RED 0 to 255 Channel 3-- GREEN 0 to 255 Channel 4-- BLUE 0 to 255 Note: The DMX in/out ports have only three contacts, not the five that are required by the 'official' DMX standard. But it seems that *many* (most?) LED lights ignore the standard, as there's very little need for the extra two pins.

Good value for what you get. Decent lights, bright enough for small/medium sized rooms. Does not have a detachable power cable and cannot be daisy chained with power. Does have DMX capabilities but have not tested it. I use mine for uplighting for parties, works very well. These lights have static RGB, chase, flash, strobe (only white) and rgb color settings (0-255). They are very cheaply built, so definitely not tour-quality but work great for residential use and non-professional use. Hope this review helps :)

These PAR LED wash lights are a great value and perform incredibly well. They’re lightweight yet powerful, with big, vibrant colors that really pop. I love that both lights can be controlled with the included remote—super convenient during setup or on the fly. Each fixture uses single-color diode LEDs for true color mixing, and the DMX input gives you flexibility if you want more advanced control. Sound activation, built-in lighting programs, and strobe mode are all easily accessible with the remote, which makes operation simple even without a DMX controller. Another huge plus is the detachable power cable. It makes packing and transporting easier. And having two matching wash lights means you can get an even look across both sides of your DJ booth or event space. Great product for the price and very versatile for any mobile DJ or event setup.

These lights are a game changer! They have enhanced the beauty of the décor where I have decorated. Totally impressed with the functionality and versatility.

This stage light set is hands down one of the best lighting purchases I've made in a while. It lights up the room like a full-on glow party. The regular LED settings are bright and crisp, perfect for stage setups, home events, or just adding some atmosphere. But the real magic is the blacklight feature. The UV glow brings out every fluorescent color in the room, from posters to body paint to anything neon. It turns an ordinary space into a full visual experience. The coverage is impressive for how compact the unit is. It fills a wide area and makes colors pop instantly. I used it for a party and people couldn’t stop commenting on how cool the glow looked. Setup is quick, the controls are simple, and it runs consistently without flicker. It does get warm after long use, so give it a break between sessions. The housing is light, so handle with care, but it’s easy to mount or reposition. If you're looking to brighten the mood and make everything glow, this light does the job perfectly.

I have been djing for over 22 years. I have had multiple setups with lighting that could fill a basketball court. I must say how times have changed with the introduction of led lighting. I have used other "well known" named brands of lighting costing hundreds more. These lights are fantastic for the price. The remote control aspect of the lights are "let alone" fantastic. Especially for a mobile dj such as myself. When I have bought uplighting in the recent past by the "well known" dj brands a light like this with it's capabilities costed me at least 125.00 to 150.00 per par light. Lighting can get very expensive. I am very picky with the equipment I buy and have to say have two so far and just purchased two of the 54 light pars which include a white led diode as well. I purchased the 36 led yeesite led par lights. These lights have a smooth fade to them. Wonderful colormixing abilities with individual control of RGB if you want to dial in on that exact color you want for wall wash or just plain dancefloor wash. Have auto program for the DJ or person that wants to set it and forget it. Maybe even just the house party or backyard event. I did not receive these for any cheaper than anyone else on amazon but I felt I had to give these lights a review just for the simple fact of price and the quality. They are even fan cooled which I did not expect. I don't think a light with 1 watt diodes really needs a fan but it's nice to know that the unit will stay cool. Especially since I will be using these for 5 to 6 hours full on during events. Hopefully yeesite will come out with battery operated par lights so that it will become a completely wireless solution to what I need

I tried this 2‑pack of RGB Par Can lights for a few small events at home, and they work fairly well for the price. The brightness is good and easily fills a room, though the colors aren’t as rich as more expensive lights. Blue looks the best, while green can look a bit weak. The different modes are fun to use. Auto, fade, and strobe all work fine. The sound‑activated mode reacts mostly to bass, but sometimes it triggers even when the music is not very loud. The remote is convenient, but the range can be inconsistent. DMX control works better if you know how to use it. Setup is very easy. They are lightweight and simple to place on the floor or hang up. The plastic housing feels a bit cheap, and the cooling fan is noticeable in a quiet room, but not during parties. Overall, these lights are a good budget choice for home events or small setups. They’re not professional quality, but they offer solid value for casual use.

To The Point Good quality stage lights with flexible control options for events and home setups. My Opinion Build quality makes a good first impression: housings feel sturdy, brackets tighten down without slipping, and the units don’t rattle. The 60-LED array per light is bright for their size, and dimming behaves smoothly rather than stepping in harsh jumps. Control flexibility is the standout—remote for quick changes, DMX when you want proper scenes, and sound-activation for simple, music-reactive effects. Colors blend well for basic uplighting or wash duties, and the fan noise is low enough not to distract in typical party or small-venue use. As a 2-pack, they cover a lot of ground without a complicated setup. Highlight: Pro: Sturdy build with smooth dimming and multiple control modes Con: None noted so far Pro Tip Set a low master dim level first, then fine-tune color—this keeps skin tones and wall washes from blowing out in small rooms. My Verdict I’d give this 4 out of 5 stars for strong build quality, versatile controls, and reliable brightness. Ideal as plug-and-play uplights for parties or as starter fixtures you can later fold into a DMX rig. I hope this helps! Cheers, Straight Shooter

The YeeSite RGB Par Can Stage Lights are an excellent lighting solution for small to mid-sized events, home setups, or stage performances. The brightness from these 60 LEDs is impressive the 90W output easily fills a room or stage with vibrant, even color. Each color (red, green, blue) blends beautifully, allowing for endless combinations and effects. Setup is quick and straightforward. You can position them on the floor for uplighting or mount them overhead with standard brackets. The included remote makes operation simple, but for those who prefer advanced control, the DMX capability works smoothly for synchronized, professional lighting setups. The multiple modes including sound activation, strobe, fade, and color pulse let you tailor the atmosphere perfectly for any event. The housing feels sturdy and well built, with an effective cooling system that keeps the lights running quietly and reliably through long sessions. They’re lightweight enough to transport easily, and the compact design makes storage convenient. Whether for a DJ event, wedding, small stage, or home music setup, these lights offer fantastic performance for the price. The brightness, color range, and easy control options make them an excellent value choice for anyone wanting professional-style lighting without the complexity or cost of larger systems.

This 2 pack of 90 watt PAR lights from Yeesite pack a punch for their size. The entire housing is made of plastic and there is a 2 piece nesting metal bracket for each fixture. Since I was installing the lights on a truss I used only 1 piece which simplified the install. Total depth of the plastic housing is about 3.5 inches which makes for a compact unit. Set up was easy for DMX. Only one choice and that's 6 channel operation. Two remote controls are included (that control both lights) for a plug and play option. I tested it briefly and the remotes worked well from a distance and had an auto and sound mode as well as a couple of color change options. In the sound mode response was good when volume levels were loud enough to trigger the internal mic. Colors are bright and vivid. Light intensity across the 60 individual LED's is consistent with little or no variation in color. Fan noise is surprisingly faint and can't be detected when music is playing. One feature of the light that I like is the black plastic face that houses the 60 LED's. It helps to conceal the light in the black background of a stage set up. Overall I'm completely satisfied with this 2 pack of 90 watt PAR lights from Yeesite. Basic build quality, with low fan noise, lots of control options and bright vivid light output. An economical addition to any lighting rig.

These lights are bright, compact, and easy to set up. They’re great for home parties or small events, with sound-activated modes and multiple colors controlled via remote or DMX. The lightweight plastic housing makes them easy to move, and the included brackets work well for mounting. Pros: Bright, vivid colors and consistent LEDs Lightweight and portable Sound-activated modes respond well Simple DMX compatibility Easy to mount or position Cons: Plastic housing limits durability and heat management Remotes are flimsy and not fully independent Back display is bright and can be distracting Wide beam angle, not ideal for focused lighting Not suitable for professional stage use These are a solid, affordable option for casual use, but don’t expect pro-level performance.