

🎨 Capture brilliance in every frame with Velvia 50 — where color meets clarity.
Fujifilm Fujichrome Velvia RVP 50 is a professional-grade 35mm color slide film known for its ultra-fine grain, ISO 50 speed, and exceptional sharpness. Renowned for delivering vivid, high saturation colors and dynamic tonal depth, it’s ideal for landscape and nature photography. Available in multiple formats, Velvia 50 remains a top choice for photographers seeking unparalleled image quality and vibrant color reproduction.
| ASIN | B000SQK588 |
| Batteries | 1 Lithium Ion batteries required. |
| Best Sellers Rank | #744,862 in Electronics ( See Top 100 in Electronics ) #1,499 in Photographic Film |
| Customer Reviews | 4.2 4.2 out of 5 stars (136) |
| Date First Available | June 17, 2003 |
| Is Discontinued By Manufacturer | No |
| Item Weight | 0.8 ounces |
| Item model number | 16329161 |
| Language | English, English, English, English, English |
| Manufacturer | Fujifilm |
| Product Dimensions | 1.5 x 1.5 x 2.5 inches |
M**S
Very Brilliant Colors!
I shot 2 rolls of Velvia 50 for the first time, and I loved it! In fact, it might be my new favorite film. I'm not so sure there's any other film that can touch it in terms of color saturation and vibrancy, not even close. This film stands alone completely. It works very well for me in bright day light and sunset/dusk conditions, both with landscapes and around a bunch of small towns I visited. The reds, blues, and greens are much more pronounced, and the film grain is almost digital like. I was worried about using it at first with all the claims that I would have more difficulty nailing my exposure. Out of the two rolls, there were really only 3 photos where the highlights were totally blown out and unusable, but every thing else was spot on. One things that I noticed with the film results is that it is heavy on the black levels. You'll have to decide right away if you like this or not. If you edit scanned slide images in Lightroom, bringing up the shadows doesn't work very well, especially if you are coming from Ektar or Portra negative film. Slide film edits quite differently, so I made either very small edits, or none at all. Anyway, I really recommend trying this film out. You may love it!
R**N
Wonderful film for landscapes, very poor for subjects
Pros: - Excellent color reproduction. See the image I posted...it just sucks the colors of the late afternoon sun right up. - Subtle film grain - Wonderfully sharp. Cons: - I found that darks were really underexposed. If the subject you're shooting is really dynamic, the shadows will be too dark; you'll have to push them. Bottom Line: This is really great film. The sharpness and color reproduction is amazing. When processed and scanned at a good shop, I found that the sharpness and image quality rivaled my D3100. It's great for landscapes, but in my opinion it really underexposes darks and shadows when put up against really dynamic light. I think this because of the low asa rating; I'm going to try the 100 asa version of this film next and see if there's any improvement. Five stars for a wonderful slide film. It makes my Kodak stuff look like a photo struck with a cheap instagram filter by comparison.
M**1
Great film, everybody loves it, but it didn't treat me so well
I shot it through an EOS3 at box speed, and almost every shot came out under-exposed. I was using it wrong, I took it to a music festival and tried to get people, and neat things in terribly contrasty light, but still, I'd suggest shooting this at ISO 30 or so. 50 is not enough light!!
B**L
Velvia RVP 50 Color Slide Film
I originally purchased this slide film because of all of the favorable reviews on the web. The first time I used it was for shooting outdoor garden scenes and absolutely loved the color rendition! However, the term "color rendition" is a subjective term so I can only recommend that you try it yourself. If you've never used this slide film before you may be pleasantly surprised as I was? The colors are vivid and highly saturated so if that's what your looking for then I think you'll like this film.
T**Z
Lovely Stuff
Very beautiful slide film. Best for landscape work in bright to fairly bright light. Great for capturing fall colors and the magic hour. Color is a bit saturated for some people but I enjoy it - in fact they called it Disneychrome when it came out.
S**E
Important information that sellers won't tell you: Unknown expiration date
First of all, this film deserves full 5 stars. So why am I giving only one star in this review? For buyers to become aware that if they are buying a single roll they will get an open box film canister with unknown expiration day. I bought this film from Mel Pierce Camera and that's what I got. When I brought this up to the seller, Jim R, from Mel Pierce Camera was kind enough to send me this input: "This film in individual boxes has been discontinued by Fujifilm. The only way we can ship single rolls is like this. Let me know if you still want to return. Jim R. MPC" A good practice every seller should follow: There is only one seller (AscotSales) that is honest enough to warn you that his film is expired but was stored refrigerated. And it is up to the buyer to purchase it or not.
C**N
For amazing landscapes
Slow speed, extremely vibrant colors, slide film. This film cannot be processed at your corner drug store it needs to be taken to a professional lab and it will cost more than regular color c41 film. Rate it at 40 and use it for landscapes.
M**T
Works sometimes, but not a good 'general shooting' film.
It seems like these days, those who still DO shoot at least SOME film rave RELENTLESSLY about hypersaturated films like this one. So when I went from shooting all digital to shooting digital and SOME film several months ago, I figured I would give this stuff a try. After all, Velvia is supposedly the film that 'dethroned' Kodachrome. And given the fact that I have ALWAYS been a fan of Kodachrome, it just HAD to be good. Right? Well, not quite. Now don't get me wrong. I like colors as much as the next guy. But not when they just completely butcher a shot. People often complain about rendering of skin tones. But this is NEVER what Velvia was intended for. It is supposed to b a landscape film. However, I have found that it is not the best landscape film, either. I am just not partial to vast expanses of mountain forests (normally a dark grey-green) that look almost kelly green or expanses of golden, grass-covered California hillsides that come out orangish-brown. Of course, in its defense, I have taken some GREAT shots with this film. Sometimes, the hypersaturation just plain-old works. It seems to work well when shooting subjects which are SUPPOSED to be REALLY coloful, like art or flowers. Also, it works well on landscapes that are fairly colorless, but in which a really old, blue sky is desirable. However, I just don't seem to encounter enough situations on a consistent basis where this IS the case to make Velvia a favorite.
T**.
Ein super Film, farbkräftig, scharf und stimmungsvoll. Der Unterschied zum Velvia 100: Der 50 ist einen kleinen Tuck dunkler, aber wirklich nur einen Tuck. Wer das nicht haben will, kann ja auf 40 iso belichten, das gleicht aus. Für meinen persönlichen Geschmack ist der Velvia 50 am besten, wenn man ihn auch mit iso 50 belichtet.
J**E
A 20€ el rollo es un buen precio teniendo en cuenta lo cara que está en otros sitios y lo dificil que es de conseguir. Los últimos rollos que he pedido tienen fecha de caducidad en agosto de 2022, así que bastante correcto.
S**M
Velvia is probably the finest quality colour reversal film available on the market today. I imagine most people looking to purchase it are well aware of its properties, but if not then it's well worth a try if you've got some film photography experience. It's a very saturated, very high image quality film that just makes every shot look stunning. This is the newer version with the more recent emulsion but in my opinion it is every bit as good as the original. However, if you've never tried film photography before, I'd say this film is better suited to having a little more experience. It's a little more "finnicky" than some other films, and is perhaps less forgiving of mistakes with exposure and light levels. It's also pretty expensive per shot once both film and developing costs have been factored in. That said, it truly is a marvel to shoot with and once perfected the results are absolutely astounding. I loaded a roll of Velvia into a well set-up but incredibly cheap, beat up old point-and-shoot to take some travel pictures, and scarcely anybody can believe that it's really what I used, the pictures are simply that stunning. It's definitely one of the few films that is still capable of putting the DSLR to shame if used correctly and with good planning.
Z**G
Ce film mythique devient si rare que je ne m'étonne pas que le livreur me l'ait volé. Il est indiqué livré alors que je ne l'ai jamais reçu, sans possibilité de recours. Merci Amazon... A part cela, tous les connaisseurs de films savent à quel point shooter en Velvia vous permet de sublimer la réalité, d'une manière que même les filtres assistés par IA ont du mal à imiter. Et il reste le plaisir de détenir un support physique, qui n'a pas besoin d'un média électrique pour être vu.
J**A
It's a pain to find a lab, the film will crumble if you leave it in the camera for more than a couple months, but for landscape work nothing beats Velvia. Get your film scanned at the lab with development. You'll find your 100mpx digital image still doesn't resolve as well as the film does. The only reason I shoot 120 as well is my 120 camera is smaller and I have a hard time shooting 36+ images in a day. This comes in 5 packs as well if you decide you like it.
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