35mm F1.8 1.33X S35 Anamorphic Lens, Cinema Lens for L Mount, Blue Flare

OK had to try this one. There's a lot of info online, and I don't have much to add except that it's decently sharp, that was a question mark looking at samples. Unpacked the Sirui 35/1.8 this morning. After a half day of testing, it looks like a no brainer, especially if you own the Z Cam S6. Sharpness is perfectly fine, as is color and contrast. Maybe there is a touch of added color so be careful with the WB. Distortion is as expected, mostly correctable with the built in PP plugin. Or just leave it. Clickless, smooth aperture. There is some color fringing with backlit subjects. I filmed the tests on the S6 in "open gate" to make full use of the 6K+ S35+ sensor. I was able to view the footy on my monitor desqueezed and also in the app. I dropped the footy into PP into a standard 8K sequence. Yes, 8k from 6K open gate. Setting the image size to 93 percent, the image just touches the edges while leaving two narrow letterbox strips. Fine--you can add thicker black bars or zoom up to 102 percent to get 8K with no bars. It's all good. You can downsample, crop, whatever you want. Lots of choices. My copy was shipped direct from the factory and I waited more than a month for it. Glass was perfect, exterior had a tiny scuff mark, no biggie. You can manual focus very well at F1.8 and then I like to stop it down to F4, but it is certainly usuable wide open. Clickless aperture and focus is very smooth and there are two rings included for gearing. No hood, which is cheesy for an $800 lens IMHO. :( @theusualeditor re: thin air pixels--this lens allows me to film open gate on my Z Cam S6, so I'm not losing or cropping any pixels except some in the horizontal which unsqueezes a tiny bit wide. And, here, I'm not losing but cropping oversize. Ordinarily, a lot of these pixels would be unused, just like on most 4:3 or whatever cameras. So this lens get every drop of pixel juice out of the slightly oversized sensor. So because of the open gate, it's like the extra resolution you get when you used film back in the olden days. And, in H265 I'm getting manageable file sizes. But, beyond that, it looks cracking when you drop it into an 8K timeline. (Yes, there are blue flares easy peasy.) P.S. It isn't light.

I absolutely love this lens. It feels solid and has a bit of weight to it but not too much weight. The image I get from it is crisp, the bokeh is nice. Some reviews say the bokeh is a little less round than they'd like on the 35mm but in my opinion it looks great.

I LOVE this lens. The 35mm is the perfect length. It truly has a Cinema look to it. Nothing cheap about this lens at all. Well worth the price, which is not bad at all for the value it brings to your work. I will say that this lens is a bit on the heavy side but with the right camera setup you'll be fine.

It was not what I expected. Disappointing

This lens is AMAZING if you are looking for an old school Anamorphic Cinematic look for your films and photos. INCREDIBLE! (just know that if you are using a full frame camera you will have to set your camera to a crop mode or there will be heavy black vignetting around your image) 10/10!!!

Solid product pricey

Overall it's a great lens. Excellent picture quality. As mentioned by others, the lens doesn't fit full frame cameras, which is unfortunate since I have a Sony A7C. But... it still looks great with minimal to zero vignetting when I crop in 1.4x with Clear Image Zoom. The rear lens cap didn't fit the E Mount (since I had to add the adapter once I received the lens), but I asked about it, and they were happy to send one out. Super happy with the purchase so far.

Cinematic quality at a great price

This is a review of the 35mm. I tried the 50mm first but found it too tight for my kind of pictures. (The flares seemed slightly stronger on the 50mm.) I use it on a Lumix S5D. It can be used for video and stills, but it took a while for me to get the right camera settings. I really love the look of this lens and the immersive, wide FOV. The build quality is amazing! Maybe the F stop ring is a bit stiff. Its heavy, but you can forgive that. This lens will make you rethink everything...! I keep wanting to go out and use it. If you love the immersive look of anamorphics, this is an affordable starting place...

Supero mis expectativas, buen material, excelente óptica, cumple sobradamente su función.

Excellent lens, just wish their shipping department was on top of things as I originally got the wrong lens.... but I returned the wrong one and finally got mine, which I couldn't be happier with... If you want anamorphic lenses that work with mirrorless cameras this is an excellent option (and with a beautiful blue lens flare)

This lens is a complete game changer. It’s solidly built, incredibly sharp and the image rendition is superb. The Bokeh and flaring look really nice and it’s hard to believe you can now get an anamorphic lens and not pay £££££!

Cet objectif s'adapte parfaitement à un Lumix S5 monture L. L'image est sharp même à pleine ouverture, et le bokeh oval en plus de l'emblématique flare, donne un look unique à l'image. Lorsque vous filmez en full frame, vous devrez, en post production, en plus du DeSqueeze, zoomer dans votre image pour éliminer le vignettage (qui est dû au fait que l'objectif soit pensé pour être utilisé sur un APS-C/Super 35). Sa distance de mise au point minimale est d'1 mètre, c'est qui juste, mais tout à fait normal compte tenu de la nature de cet objectif. Il est possible de corriger cela avec des filtres Dioptrie appelé aussi filtre "Close-up"