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Product Description It has been eight years since Batman vanished into the night, turning, in that instant, from hero to fugitive. Assuming the blame for the death of D.A. Harvey Dent, the Dark Knight sacrificed everything for what he and Commissioner Gordon both hoped was the greater good. For a time the lie worked, as criminal activity in Gotham City was crushed under the weight of the anti-crime Dent Act. But everything will change with the arrival of a cunning cat burglar with a mysterious agenda. Far more dangerous, however, is the emergence of Bane, a masked terrorist whose ruthless plans for Gotham drive Bruce out of his self-imposed exile. But even if he dons the cape and cowl again, Batman may be no match for Bane.Extra Content The Batmobile- Witness all five Batmobiles together for the first time in history. Dive deep into every aspect of the most awe-inspiring pinnacle of technology as the most awe-inspiring weapon in Birth and evolution of this technological marvel and cultural icon.The Prologue: High-Altitude Hijacking- Production - Ending the Knight- See how Christopher Nolan and his filmmaking team staged the film's high-flying opening sequenceReturn to the Batcave- Production - Witness the reconstruction of the Batcave with time-lapse photography Beneath Gotham- Director Christopher Nolan and the production designers discuss the design and build of Bane's lair.The Bat Pod - Director Christopher Nolan gives Batman a new mode of transportation in The Dark Knight Rises.Batman vs Bane- The filmmakers and actors reveal how they planned and shot the epic fight sequence between Batman and Bane.Armory Accepted- See how special effects and a miniature unit were used to simulate the demolition drop of the Tumbler through the ceilingGameday Destruction -The filmmakers describe the production plan that went into executing the jaw-dropping demolition sequence at Gotham StadiumDemolishing a City Street- Learn how a series of practical special effects were used to simulate the complete destruction of a city streetThe Pit -The filmmakers explain the design and construction of two giant, vertical sets: the underground prison and the wellThe Chant- Christopher Nolan and Hans Zimmer discuss the creation of the chant that formed the basis of the score'sThe War on Wall Street- Get a glimpse behind the coordination and production of the epic battle for Gotham City Race to the Reactor - Watch how the filmmakers orchestrated the film's climactic chase sequence with multiple Tumblers and the BatpodThe Journey of The Dark Knight- Get insight into story and thematic choices that structured the final chapter of Bruce Wayne's journey as Batman. Supported by interviews with CN, Jonah Nolan, David GoyerGotham's Reckoning- The filmmakers reflect on their reinvention of Bane and all the elements that went into making him Batman's most lethal and his wardrobe.A Girls Gotta Eat- The filmmakers discuss the challenge of bringing an iconic character to life, detailing the acting choices, fashion, training and her tactical-ego of Catwoman.Shadows & Light in Large Format- Discover the philosophy and methodology of capturing The Dark Knight Rises on the grand canvas of ImaxTM film.The End of A Legend- The filmmakers give their final thoughts on working on The Dark Knight Rises and what it was like to be a part of.Trailer Archive .co.uk Review Of all the "most anticipated" movies ever claiming that title, it's hard to imagine one that has caused so much speculation and breathless expectation as Christopher Nolan's final chapter to his magnificently brooding Batman trilogy, The Dark Knight Rises. Though it may not rise to the level of the mythic grandeur of its predecessor, The Dark Knight Rises is a truly magnificent work of cinematic brilliance that commandingly completes the cycle and is as heavy with literary resonance as it is of-the-moment insight into the political and social affairs unfolding on the world stage. That it is also a full-blown and fully realized epic crime drama packed with state-of-the-art action relying equally on immaculate CGI fakery and heart-stopping practical effects and stunt work makes its entrée into blockbuster history worthy of all the anticipation and more. It deserves all the accolades it will get for bringing an opulently baroque view of a comic book universe to life with sinister effectiveness. Set eight years after the events of The Dark Knight, TDK Rises finds Bruce Wayne broken in spirit and body from his moral and physical battle with the Joker. Gotham City is at peace primarily because Batman took the fall for Harvey Dent's murder, allowing the former district attorney's memory to remain as a crime-fighting hero rather than the lunatic destructor he became as Two-Face. But that meant Batman's cape and cowl wound up in cold storage--perhaps for good--with only police commissioner Jim Gordon in possession of the truth. The threat that faces Gotham now is by no means new; as deployed by the intricate script that weaves themes first explored in Batman Begins, fundamental conflicts that predate his own origins are at the heart of the ultimate struggle that will leave Batman and his city either triumphant or in ashes. It is one of the movie's greatest achievements that we really don't know which way it will end up until its final exhilarating moments. Intricate may be an understatement in the construction of the script by Nolan and his brother Jonathan. The multilayered story includes a battle for control of Wayne Industries and the decimation of Bruce Wayne's personal wealth; a destructive yet potentially earth-saving clean energy source; a desolate prison colony on the other side of the globe; terrorist attacks against people, property, and the world's economic foundation; the redistribution of wealth to the 99 percent; and a virtuoso jewel thief who is identified in every way except name as Catwoman. Played with saucy fun and sexy danger by Anne Hathaway, Selina Kyle is sort of the catalyst (!) for all the plot threads, especially when she whispers into Bruce's ear at a charity ball some prescient words about a coming storm that will tear Gotham asunder. As unpredictable as it is sometimes hard to follow, the winds of this storm blow in a raft of diverse and extremely compelling new characters (including Selina Kyle) who are all part of a dance that ends with the ballet of a cataclysmic denouement. Among the new faces are Marion Cotillard as a green-energy advocate and Wayne Industries board member and Joseph Gordon-Levitt as a devoted Gotham cop who may lead Nolan into a new comic book franchise. The hulking monster Bane, played by Tom Hardy with powerful confidence even under a clawlike mask, is so much more than a villain (and the toughest match yet for Batman's prowess). Though he ends up being less important to the movie's moral themes and can't really match Heath Ledger's maniacal turn as Joker, his mesmerizing swagger and presence as demonic force personified are an affecting counterpoint to the moral battle that rages within Batman himself. Christian Bale gives his most dynamic performance yet as the tortured hero, and Michael Caine (Alfred), Gary Oldman (Gordon), and Morgan Freeman (Lucius Fox) all return with more gravitas and emotional weight than ever before. Then there's the action. Punctuated by three or four magnificent set pieces, TDKR deftly mixes the cinematic process of providing information with punches of pow throughout (an airplane-to-airplane kidnap/rescue, an institutional terrorist assault and subsequent chase, and the choreographed crippling of an entire city are the above-mentioned highlights). The added impact of the movie's extensive Imax footage ups the wow factor, all of it kinetically controlled by Nolan and his top lieutenants Wally Pfister (cinematography), Hans Zimmer (composer), Lee Smith (editor), and Nathan Crowley and Kevin Kavanaugh (production designers). The best recommendation TDKR carries is that it does not leave one wanting for more. At 164 minutes, there's plenty of nonstop dramatic enthrallment for a single sitting. More important, there's a deep sense of satisfaction that The Dark Knight Rises leaves as the fulfilling conclusion to an absorbing saga that remains relevant, resonant, and above all thoroughly entertaining. --Ted Fry ATTENTION REQUIRED: The UV download for thiss product was expired on the 2nd December 2014
K**S
Like it a lot, they do not make movies like this anymore.
They do not make movies like this anymore and they never will again, pure classic deep and moral story telling of sacrifice with pure action. I dislike watching movies, there isn't one modern movie I have forced myself to watch and never fell asleep half way to NEVER come back to it again. Now I am just waiting for the end of the world and for Jesus to come back.
J**E
The Dark Knight Rises Steelbook
I'm guessing that plenty of people reading this review will have seen this movie and know how fantastic it is. If you haven't, then make sure you watch the first two films before this one - as an end to the trilogy it is brilliant. While it can be viewed as a standalone film, it makes MUCH more sense after you've seen Batman Begins and The Dark Knight, and can be appreciated all the more as a splendid piece of filmmaking.Onto the Blu-Ray itself. The picture quality is absolutely fantastic - this is the best of the films to get on blu-ray as it has the most IMAX footage in it (about 72 minutes worth, or a third of the film all told - compared to about 26 minutes for The Dark Knight). When it switches to IMAX, the aspect ratio flips to fill your whole television, creating a fantastically detailed and immersive image. This is only available on the blu-ray - the DVD keeps the same 16:9 aspect ratio throughout. Nolan utilises IMAX well, from simple establishing shots to whole chase and fight sequences. Sequences such as the plane hijacking and the bomb chase sequence are made to stand out all the more with the visual gravitas the IMAX lends them. Sound-wise, this is a film that demands to be watched loudly - if you set the volume low, dialogue (especially Bane or Lt. Gordon when he is hospitalised) can easily be lost. Instead, turn this film up loud, and take this as an opportunity to really give your sound system a workout, to truly lose yourself in the high spectacle of this grand finale to one of the greatest trilogies ever made in any genre.The special features (on a second disc) are fantastic - detailed, interesting and informative, by far the best special features of all of Nolan's Batman films.The steelbook itself is also worthy of mention. The artwork chosen for both the exterior and interior of the case really is superb, encapsulating the spirit of the film well. The case also has a much more premium and moody feel to it, which compliments the film in a way that the regular blu-ray case doesn't - whilst the cover art on that is fine, the back loses any sense of artistic merit in it's use of bright garish colours that boast of the special features contained in the pack. All that is lost in the steelbook feature-wise is the UV copy, which is fine by me as I have found it to be a poor, flawed substitute for a real iTunes digital copy.This steelbook, then, is a worthy collectors piece to celebrate a real feat of film-making, and (when viewed alongside the rest of the trilogy) a series that perhaps represents the peak of Christopher Nolan's career so far - to my mind the greatest living director (with the possible exception of Steven Spielberg). This item comes thoroughly recommended!
R**2
Best film of 2012
For me this is easily the best movie of 2012. Im not a fan of Bond anymore so I cant speak for that. Avengers was awesome and Bourne legacy was good though not a patch on the original trilogy.This though has it all, a thoughtful story of redemption, action and a fitting end to the best superhero reboot of them all. I have to confess on first viewing I was sceptical. The hype was huge and I got swept along. That is always a recipe for disaster where anything less than perfection leaves you feeling cheated and since everyone will want something a little different you will never make everyone happy. I also felt the film seemed to plod in a few areas but miss out vital months where you would have liked to see what led to events. As it is I suspect a lot of cuts were made as this still runs at over two and a half hours.These films are the thinking persons superhero movies. A normal person made super through gadgets and a drive to go beyond the normal confines of dealing with problems. The acting is spot on, the soundtrack is one of the best applications since Gladiator. For a classical score it is rousing and gets the adrenaline pumping or fuels emotion. Its one of few recent soundtracks where I will hear part of the main theme on tv and instantly know where its from.The action sequences are superb. At first I was critical that they seemed slower but this is in context as our hero is getting older, he is nearly out of steam and this is his chance for one last push against someone faster, stronger and more violently driven. I was resentful that my hero seemed to be made to look stupid and weak but this is all necessary for his final redemption. Then there is the message that has underpinned the whole trilogy 'Batman is a symbol' and once you remember that you appreciate the setup.For me, Christopher Nolan has made a superb trilogy that can not be beaten. Yes there were a few things that could have been slightly improved but once you start going back and altering films you end up with the mess that is the current version of Star Wars. It should be left alone now, no more reboot attempts like Spider-Man.In many ways these films have followed the original Star Wars trilogy - Batman Begins was a breath of fresh air, the Dark Knight was the trilogy's 'Empire Strikes Back' - dramatic sobering and emotional, THe Dark Knight Rises is the swan song that whilst not as strong or complete as the others, draws the curtain in a satisfactory way. Dont watch it with stupidly high expectations and you will enjoy it.Some have criticised the transfer but I thought mine looked very sharp compared to the DVD.
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